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Lecturer(s)
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Jarcovjáková Libuše, Mgr.
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Course content
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1st Introduction, theme entering final works: 1 Advertising Still Life, a lecture on still life, genre and reminders specific goals semester, still life compositions. Entering the theme semester project (CP). 2nd Light and still life 3rd Light in the studio (Flash) 4th Light in the open air - a task found still life 5th Light in the studio (permanent) 6th Light and texture 7th Working with color in still life 8th Song - Custom compositional task still life 9th composition 10th Experimental task still life 11th Consultations last task 12th Task - Advertising still life 13th Submitting all tasks semester, KP and discussion of unspecified Advertising on still life
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Learning activities and teaching methods
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Lecture with practical applications, Multimedia supported teaching, One-to-One tutorial, Skills demonstration, Individual study, Lecture with visual aids, Practicum
- Contact hours
- 91 hours per semester
- Preparation for an examination (30-60)
- 40 hours per semester
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Undergraduate study programme term essay (20-40)
- 40 hours per semester
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| prerequisite |
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| Knowledge |
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| about planning a photographic project about arranging the sensed impression and interacting with the photographer and the scene about the technological processes of real-world imagery based on the given topic about historical and contemporary style canons about the visual means used in photography |
| Skills |
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| plans a project of simple classical, experimental and advertising still life on a given topic, manages scenic preparation including composing individual elements and working with artificial studio (flash and permanent) light, performs photos and, based on predefined criteria, selects a final set, handles simple postproduction of images, reflects his work in historical and contemporary contexts, reflects its work in the context of professional, technical and technological processes, with erudition, presents his work to the professional community, he is able to accept and assert in a way the evaluation and critical response |
| Competences |
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| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| about planning a simpler photo project about arranging the sensed impression and interacting with the photographer and the scene about the technological processes of real-world imagery based on the given topic about postproduction of photographic material about historical and contemporary style canons about the visual means used in photography |
| Skills |
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| plans a simpler project on a given topic and adapts it to its artistic or commercial mission, manages scenic preparation involving the composition of individual elements of work with light and a simple atmosphere for artistic expression, realizes a simple photographic series, on the basis of predefined criteria, selects a final set, defines simple aesthetic judgments and justifies their application, handles simple postproduction of photos in photo/graphics programs, reflects his work in historical and contemporary contexts, reflects its work in the context of professional, technical and technological processes, with erudition, presents his work to the professional community, he is able to accept and assert in a way the evaluation and critical response |
| Competences |
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| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Students' portfolio |
| One-to-One tutorial |
| Seminar classes |
| Interactive lecture |
| Skills |
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| Skills demonstration |
| Students' portfolio |
| Multimedia supported teaching |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Seminar work |
| Continuous assessment |
| Skills |
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| Skills demonstration during practicum |
| Project |
| Practical exam |
| Competences |
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| Seminar work |
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Recommended literature
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ANG, Tom. Fotografie: velké obrazové dějiny. Praha: Knižní klub, 2015. ISBN 978-80-242-5018-2.
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Badger, Gerry. The genius of photography : how photography has changed our lives. London : Quadrille, 2011. ISBN 978-1-84400-609-0.
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Birgus, Vladimír; Mlčoch, Jan,; Malá, Olga. Česká fotografie 20. století : průvodce. Praha : Uměleckoprůmyslové muzeum, 2005. ISBN 80-7101-041-3.
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Campany, David. Art and photography. London : Phaidon, 2003. ISBN 0-7148-4286-9.
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Císař, Karel. Co je to fotografie?. Vyd. 1. Praha : Herrmann & synové, 2004. ISBN 80-239-5169-6.
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Durden, M. Photography Today. London, 2014.
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Fárová, Tomeš. Zátiší / Josef Sudek ; [úvodní studii napsal Jan Marius Tomeš, stručný životopis autora napsala Anna Fárová].
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Flusser, Vilém. Jazyk a skutečnost. Vyd. 1. Praha : Triáda, 2005. ISBN 80-86138-54-2.
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Flusser, Vilém. Moc obrazu: výbor filosofických textů z 80. a 90. let. Praha: Občanské sdružení pro podporu výtvarného umění,, 1996.
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Grygar, Štěpán. Konceptuální umění a fotografie. 1. vyd. Praha : Nakladatelství AMU, 2004. ISBN 80-7331-014-7.
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Kerlický K. Život věcí : idea zátiší ve fotografii.
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Mrázková, Daniela; Remeš, Vladimír. Cesty československé fotografie : Vyprávění o historii čs. fotografie prostřednictvím životních a tvůrčích osudů vybraných osobností a mezních vývojových okamžiků. Praha : MF, 1989. ISBN 80-204-0015-X.
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Parr, Martin; Badger, Gerry. The photobook : a history. Volume II. 1st pub. London : Phaidon, 2006. ISBN 978-0-7148-4433-6.
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Parr, Martin; Badger, Gerry. The photobook : a history. wolume III. 2014. ISBN 978-0-7148-6677-2.
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Parr, Martin; Badger, Gerry. The photobook : a history. London : Phaidon, 2004. ISBN 0-7148-4285-0.
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Pinkava I., Vaňous P. Ivan Pinkava.
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Silverio, Robert. Postmoderní fotografie : fotografie jako umění na konci dvacátého století. 1. vyd. V Praze : Akademie múzických umění, Filmová a televizní fakulta, Katedra fotografie, 2007. ISBN 978-80-7331-083-7.
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Šmok, J. Teorie skladby fotografického obrazu. Opava, 1998.
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Třeštík, Tomáš. Osobnosti současné české reklamní a módní fotografie. [Praha] : Atemi, 2002. ISBN 80-238-8197-3.
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