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Lecturer(s)
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Aubrecht Vojtěch, MgA.
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Jarcovjáková Libuše, Mgr.
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Mrázková Barbora, MgA. Ph.D.
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Course content
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1st Introduction, theme entering final works: 1 Advertising Still Life, a lecture on still life, genre and reminders specific goals semester, still life compositions. Entering the theme semester project (CP). 2nd Light and still life 3rd Light in the studio (Flash) 4th Light in the open air - a task found still life 5th Light in the studio (permanent) 6th Light and texture 7th Working with color in still life 8th Song - Custom compositional task still life 9th composition 10th Experimental task still life 11th Consultations last task 12th Task - Advertising still life 13th Submitting all tasks semester, KP and discussion of unspecified Advertising on still life
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Learning activities and teaching methods
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Lecture with practical applications, Multimedia supported teaching, One-to-One tutorial, Skills demonstration, Individual study, Lecture with visual aids, Practicum
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Undergraduate study programme term essay (20-40)
- 40 hours per semester
- Contact hours
- 117 hours per semester
- Individual project (40)
- 40 hours per semester
- Preparation for an examination (30-60)
- 55 hours per semester
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| prerequisite |
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| Knowledge |
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| about planning a more complex photographic project and its individual genres (portrait, landscape, reportage, still life, etc.) about the basic requirements of aesthetics and art culture in connection with the traditions of photographic production about designing a photographic project based on the knowledge of photographic technology and the materials used in accordance with the requirements of the contracting entities, about postproduction of photographic material and technological, production and economic aspects, about historical and contemporary stylish photo canons, about visual means used in photography, about presenting his project according to your specific situation and customer requirements |
| Skills |
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| plans a more complex photographic project in its individual genres (portrait, landscape, reportage, still life, etc.) according to its artistic or commercial mission, adheres to the basic requirements of aesthetics and artistic culture in line with the traditions of photographic creation, performs a more advanced photographic project based on the knowledge of photographic technology and the materials used and in accordance with the requirements of the contractors, on the basis of predefined criteria, selects a final set, defines simple aesthetic art courts and justifies their application, handles simple postproduction of photos in photo / graphics programs, produces the resulting set based on technological, production and economic considerations, reflects his work in historical and contemporary contexts, with erudition presents its work to the professional community depending on the specific situation, and customer requirements, he is able to accept and assert in a way the evaluation and critical response |
| Competences |
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| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| about planning a more complex photographic project and its individual genres (portrait, landscape, reportage, still life, etc.) and their combinations, about more advanced requirements for aesthetics and artistic culture in line with the traditions of photographic creation, to design a photographic project based on knowledge of advanced photographic technology, new materials and in accordance with the requirements of the contracting authorities, about postproduction of photographic material and technological, production and economic aspects, about historical and contemporary stylish photo canons, about visual means used in photography and its applications, about presenting his project according to your specific situation and customer requirements |
| Skills |
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| plans a more complex photographic project in its individual genres (portrait, landscape, reportage, still life, etc.), proposes various variants of the design concept according to his artistic or commercial mission, adheres to the standard requirements of aesthetics and art culture in line with the traditions of photographic creation, performs a more advanced photographic project based on the knowledge of photographic technology and the materials used and in accordance with the requirements of the contractors, comes with innovative proposals for the material and adjustment of the project, produces the resulting set based on technological, production and economic considerations, defines aesthetic judgments and justifies their application to the evaluation of the final form of the project, manage post-production of photos in photo/graphics programs, reflects his work in historical and contemporary contexts, with erudition presents its work to the professional community depending on the specific situation, and customer requirements, he is able to accept and assert in a way the evaluation and critical response |
| Competences |
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| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Students' portfolio |
| One-to-One tutorial |
| Seminar classes |
| Interactive lecture |
| Skills |
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| Skills demonstration |
| Students' portfolio |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Seminar work |
| Continuous assessment |
| Skills |
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| Skills demonstration during practicum |
| Project |
| Practical exam |
| Competences |
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| Seminar work |
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Recommended literature
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ANG, Tom. Fotografie: velké obrazové dějiny. Praha: Knižní klub, 2015. ISBN 978-80-242-5018-2.
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Badger, Gerry. The genius of photography : how photography has changed our lives. London : Quadrille, 2011. ISBN 978-1-84400-609-0.
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Birgus, Vladimír; Mlčoch, Jan,; Malá, Olga. Česká fotografie 20. století : průvodce. Praha : Uměleckoprůmyslové muzeum, 2005. ISBN 80-7101-041-3.
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Campany, David. Art and photography. London : Phaidon, 2003. ISBN 0-7148-4286-9.
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Císař, Karel. Co je to fotografie?. Vyd. 1. Praha : Herrmann & synové, 2004. ISBN 80-239-5169-6.
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Durden, M. Photography Today. London, 2014.
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Fárová, Tomeš. Zátiší / Josef Sudek ; [úvodní studii napsal Jan Marius Tomeš, stručný životopis autora napsala Anna Fárová].
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Flusser, Vilém. Jazyk a skutečnost. Vyd. 1. Praha : Triáda, 2005. ISBN 80-86138-54-2.
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Flusser, Vilém. Moc obrazu: výbor filosofických textů z 80. a 90. let. Praha: Občanské sdružení pro podporu výtvarného umění,, 1996.
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Grygar, Štěpán. Konceptuální umění a fotografie. 1. vyd. Praha : Nakladatelství AMU, 2004. ISBN 80-7331-014-7.
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Kerlický K. Život věcí : idea zátiší ve fotografii.
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Mrázková, Daniela; Remeš, Vladimír. Cesty československé fotografie : Vyprávění o historii čs. fotografie prostřednictvím životních a tvůrčích osudů vybraných osobností a mezních vývojových okamžiků. Praha : MF, 1989. ISBN 80-204-0015-X.
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Parr, Martin; Badger, Gerry. The photobook : a history. Volume II. 1st pub. London : Phaidon, 2006. ISBN 978-0-7148-4433-6.
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Parr, Martin; Badger, Gerry. The photobook : a history. wolume III. 2014. ISBN 978-0-7148-6677-2.
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Parr, Martin; Badger, Gerry. The photobook : a history. London : Phaidon, 2004. ISBN 0-7148-4285-0.
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Pinkava I., Vaňous P. Ivan Pinkava.
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Silverio, Robert. Postmoderní fotografie : fotografie jako umění na konci dvacátého století. 1. vyd. V Praze : Akademie múzických umění, Filmová a televizní fakulta, Katedra fotografie, 2007. ISBN 978-80-7331-083-7.
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Šmok, J. Teorie skladby fotografického obrazu. Opava, 1998.
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Třeštík, Tomáš. Osobnosti současné české reklamní a módní fotografie. [Praha] : Atemi, 2002. ISBN 80-238-8197-3.
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