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Lecturer(s)
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Jarcovjáková Libuše, Mgr.
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Course content
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1st Introduction, theme entering final works: 1 Advertising Still Life, a lecture on still life, genre and reminders specific goals semester, still life compositions. Entering the theme semester project (CP). 2nd Light and still life 3rd Light in the studio (Flash) 4th Light in the open air - a task found still life 5th Light in the studio (permanent) 6th Light and texture 7th Working with color in still life 8th Song - Custom compositional task still life 9th composition 10th Experimental task still life 11th Consultations last task 12th Task - Advertising still life 13th Submitting all tasks semester, KP and discussion of unspecified Advertising on still life
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Learning activities and teaching methods
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Lecture with practical applications, Multimedia supported teaching, One-to-One tutorial, Skills demonstration, Individual study, Lecture with visual aids, Practicum
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Undergraduate study programme term essay (20-40)
- 40 hours per semester
- Contact hours
- 208 hours per semester
- Team project (50/number of students)
- 50 hours per semester
- Preparation for an examination (30-60)
- 60 hours per semester
- Individual project (40)
- 40 hours per semester
- Practical training (number of hours)
- 35 hours per semester
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| prerequisite |
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| Knowledge |
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| about planning of a complex photographic project, its individual genres, their combinations and their relation to the cultural context, on the principles of cooperation on projects of an interdisciplinary nature, on advanced requirements for aesthetics and art culture in connection with the traditions of photographic creation and its contemporary forms, about the design of a photographic project based on the knowledge of advanced photographic technology, new materials, in accordance with the requirements of the advertisers and with his own authorial sense, on postproduction of photographic material and technological, production and economic aspects of project implementation, about historical and contemporary stylish photo canons, about visual means used in photography and its applications, about presentation of his project according to the specific situation and customer requirements |
| Skills |
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| plans a complex photographic project in its different genres, their combinations and in relation to the given cultural context, actively and functionally engages in interdisciplinary projects using photographic media, analyzes the concept of the project in the field of photography, proposes various variants according to the function of the project and promotes and defends various variants of its solution, adheres to the standard requirements of aesthetics and artistic culture in connection with the traditions of photographic creation and its current forms and needs of interdisciplinary cooperation, realizes an advanced photographic project based on the knowledge of photographic technology and materials used and in accordance with the requirements of the advertisers as well as with their own authorial feelings, comes with innovative proposals for the material and adjustment of the project, produces the resulting set based on technological, production and economic considerations, aesthetically defines art courts and justifies their application to the evaluation of the final form of the project, manage post-production of photos in photo / graphics programs, reflects his work in historical and contemporary contexts, with erudition, presents his work to the professional community and reflects his own stylistic development, is able to accept and creatively use critical responses, is able to formulate them |
| Competences |
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| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| about the planning of an author's own photographic project, about the principles of cooperation on interdisciplinary projects using photographic medium, about advanced requirements for aesthetics and art culture in connection with the traditions of photographic creation and its present forms, about the design of a photographic project based on the knowledge of complex photographic technology, new materials, in accordance with the requirements of the advertisers and with their own authors' feelings, about postproduction of photographic material and technological, production and economic aspects of project implementation, about historical and contemporary stylish photo canons, about visual means used in photography and its applications, about presentation of the project according to the specific situation and customer requirements |
| Skills |
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| plans a unique author's photographic project, actively and functionally engages in projects of interdisciplinary nature using the photographic medium, or is able to manage them, analyzes the concept of the project in the field of photography, proposes various variants according to the function of the project and promotes and defends various variants of its solution, adheres to the standard requirements of aesthetics and artistic culture in connection with the traditions of photographic creation and its current forms and needs of interdisciplinary cooperation, realizes an advanced photographic project based on the knowledge of photographic technology and materials used and in accordance with the requirements of the advertisers as well as with their own authorial feelings, comes with innovative designs of a photographic project that move the media boundaries, produces the resulting set based on technological, production and economic considerations, defines complex aesthetic art courts and justifies their application to the evaluation of the final form of the project, manage post-production of photos in photo / graphics programs, reflects his work in historical and contemporary contexts, with erudition, presents his work to the professional community and reflects his own stylistic development, is able to accept and creatively use critical responses, is able to formulate them and applies them in his practice |
| Competences |
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| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Students' portfolio |
| One-to-One tutorial |
| Seminar classes |
| Interactive lecture |
| Skills |
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| Skills demonstration |
| Students' portfolio |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Seminar work |
| Continuous assessment |
| Skills |
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| Skills demonstration during practicum |
| Project |
| Practical exam |
| Competences |
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| Seminar work |
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Recommended literature
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ANG, Tom. Fotografie: velké obrazové dějiny. Praha: Knižní klub, 2015. ISBN 978-80-242-5018-2.
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Badger, Gerry. The genius of photography : how photography has changed our lives. London : Quadrille, 2011. ISBN 978-1-84400-609-0.
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Birgus, Vladimír; Mlčoch, Jan,; Malá, Olga. Česká fotografie 20. století : průvodce. Praha : Uměleckoprůmyslové muzeum, 2005. ISBN 80-7101-041-3.
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Campany, David. Art and photography. London : Phaidon, 2003. ISBN 0-7148-4286-9.
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Císař, Karel. Co je to fotografie?. Vyd. 1. Praha : Herrmann & synové, 2004. ISBN 80-239-5169-6.
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Durden, M. Photography Today. London, 2014.
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Fárová, Tomeš. Zátiší / Josef Sudek ; [úvodní studii napsal Jan Marius Tomeš, stručný životopis autora napsala Anna Fárová].
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Flusser, Vilém. Jazyk a skutečnost. Vyd. 1. Praha : Triáda, 2005. ISBN 80-86138-54-2.
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Flusser, Vilém. Moc obrazu: výbor filosofických textů z 80. a 90. let. Praha: Občanské sdružení pro podporu výtvarného umění,, 1996.
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Grygar, Štěpán. Konceptuální umění a fotografie. 1. vyd. Praha : Nakladatelství AMU, 2004. ISBN 80-7331-014-7.
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Kerlický K. Život věcí : idea zátiší ve fotografii.
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Mrázková, Daniela; Remeš, Vladimír. Cesty československé fotografie : Vyprávění o historii čs. fotografie prostřednictvím životních a tvůrčích osudů vybraných osobností a mezních vývojových okamžiků. Praha : MF, 1989. ISBN 80-204-0015-X.
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Parr, Martin; Badger, Gerry. The photobook : a history. Volume II. 1st pub. London : Phaidon, 2006. ISBN 978-0-7148-4433-6.
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Parr, Martin; Badger, Gerry. The photobook : a history. wolume III. 2014. ISBN 978-0-7148-6677-2.
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Parr, Martin; Badger, Gerry. The photobook : a history. London : Phaidon, 2004. ISBN 0-7148-4285-0.
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Pinkava I., Vaňous P. Ivan Pinkava.
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Silverio, Robert. Postmoderní fotografie : fotografie jako umění na konci dvacátého století. 1. vyd. V Praze : Akademie múzických umění, Filmová a televizní fakulta, Katedra fotografie, 2007. ISBN 978-80-7331-083-7.
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Šmok, J. Teorie skladby fotografického obrazu. Opava, 1998.
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Třeštík, Tomáš. Osobnosti současné české reklamní a módní fotografie. [Praha] : Atemi, 2002. ISBN 80-238-8197-3.
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