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Lecturer(s)
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Jarcovjáková Libuše, Mgr.
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Course content
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1. Semestral work assignment+ general introduction to the topic. 2. lecture and discussion on the issue of exhibitions (external lecturer from a gallery). 3. Consultation of a selected exhibition space + a draft of its concept . 4. Consultation of the exh. concept and examples of photographic series realization. 5. Implementation of the exhibited series. 6. Implementation of the exhibited series. 7. Implementation of the exhibited series. 8. Implementation of accompanying texts (in coperation with an art theoretician). 9. Final selection of images for promotional materials. 10. Consultations of graphic layout of the promotional material (in collaboration with a graphic designer). 11. Final selection of pictures for exhibition + preparation for printing. 12. Finalizing of the project. 13. Final form consultation. Setting the terms for ongoing consultations and class assignments and the final semester project final semestral work. Setting the deadline for submission of fully completed semester final project - in accordance with the requirements of the teacher. Setting the deadline for submission of the other required tasks according to the teacher's requirements. Student creates the overall concept of an exhibition project, including all promotional material and accompanying texts (invitations, flyers, posters, catalogs, website and Facebook profile). The project will include at least one photographic series created for this purpose. Student cooperate with a graphic designer and an art theoretician.
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Learning activities and teaching methods
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Lecture with practical applications, Project-based instruction, Multimedia supported teaching, One-to-One tutorial, Skills demonstration, Task-based study method, Individual study, Lecture with visual aids, Practicum
- Presentation preparation (report) (1-10)
- 20 hours per semester
- Graduate study programme term essay (40-50)
- 50 hours per semester
- Contact hours
- 130 hours per semester
- Individual project (40)
- 40 hours per semester
- Practical training (number of hours)
- 45 hours per semester
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| prerequisite |
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| Knowledge |
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| to recall knowledge about a wider range of advanced visual means of photography in its various forms, its individual genres, their combinations and their relation to the cultural context, to use knowledge about visual means suitable for journalist and documentary photo on own and assigned theme, designing variants with a respect to correctly linking the function and aesthetic criteria of the final product, to interpret own knowlidge about historical and contemporary style canons and their possible conections, to use the suitable ways of mechanism of communication with the client to determine his/her requirements, to critically assess his/her own work in a discipline context, to plan a project in the production team dealing with complex tasks, about ways to justify and defend your own design activity in relation to other members of the production and journalist team, |
| Skills |
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| design a photographic project based on the knowledge of advanced photographic technology, new materials, in accordance with the requirements of the advertisers and with his own authorial sense,, to be able to combine and alter them, to manage the postproduction of photographic material and technological, production and economic aspects of project implementation,, to choose the appropriate technology for producing the final product based on its usage, to reflect its work in the context of professional, technical and technological processes, to submit his proposal and selection to the contracting authority and justify it in the respect to the task and his/her requirements, to critically assess his/her own work in the field context and style framework, to select the most suitable variant of the final photographic project and create complex design documentation, to choose appropriate forms of presentation and promotion of graphic design, with erudition, to present his work to the professional community, to be able to accept and assert in a way the evaluation and critical response, to be fully involved in the activities of the production team dealing with complex tasks, to explain and defend his/her choice from other members of the production team, to be able to accept and assert in a way the evaluation and critical response |
| Competences |
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| N/A |
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| learning outcomes |
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| Knowledge |
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| about planning more complex photographic exhibition project, its propagation and realization, phases of work and their organization, about designing variants with a view to correctly linking the function and aesthetics, quality of shooted images, interaction with exhibition space, role of spectator etc., of ways of communicating with the contracting authority in order to identify his / her requirements, communicating with graphic and curator and about procedures and methods of their work, about technological procedures of supporting disciplines cooperating on the development of the project, about technical and technological specifics of printing, materials and surfaces etc., about cocept plannig of an exhibition, about possible inspiration and information sources, about local and foreign companies and individuals research the same problematics, |
| Skills |
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| to individually choose a sphere of creation and develop a concept of the exhibition project including promotional material and accompanying texts (invitations, flyers, posters, catalogs, website and Facebook profile), writes and equips visualization of the project research and project documentation includin referentional authors and inspirational resources, to be an active part of a team, to represent own discipline and profession and to individually learn to help develop the common project, to activelly communicate with the graphic designer, to choose the appropriate technology for developing photography exhibition project, to consider printing method, material and surface format, arming of the project, to assesses the quality of the scanned material, to export meant visual into suitable photographic techniques in a form of given techniques or artistic experiment, to critically assess his/her own work in the field context and style framework, to choose appropriate forms of presentation and promotion of the prototype/project, to justify the value of the product / project in the interdisciplinary context, in fornt of a customer and other members of a team, to practically apply conceptual artistic thinking, to assesses the interaction with the exhibition space, the role of spectator etc., |
| Competences |
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| N/A |
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| teaching methods |
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| Knowledge |
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| Lecture with visual aids |
| Seminar |
| One-to-One tutorial |
| Skills |
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| Skills demonstration |
| Seminar classes |
| Students' portfolio |
| Project-based instruction |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Individual presentation at a seminar |
| Project |
| Skills |
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| Skills demonstration during practicum |
| Project |
| Practical exam |
| Competences |
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| Individual presentation at a seminar |
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Recommended literature
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Birgus, Vladimír; Mlčoch, Jan,; Malá, Olga. Česká fotografie 20. století : průvodce. Praha : Uměleckoprůmyslové muzeum, 2005. ISBN 80-7101-041-3.
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Fárová Anna. Henri Cartier - Bresson.
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Hochová, Dagmar. Čas oponou trhnul.
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Mrázková Daniela. Příběh fotografie.
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Mrázková Daniela, Remeš Vladimír. Cesty československé fotografie : Vyprávění o historii čs. fotografie prostřednictvím životních a tvůrčích osudů vybraných osobností a mezních vývojových okamžiků..
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Mrázková, Daniela; Remeš, Vladimír. Fotografovali válku : sovětská válečná reportáž. Vyd. 1. Praha : Odeon, 1975.
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Persson, Michael. Antonín Kratochvíl.
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Vladimír Birgus, Tomáš Pospěch. Tenkrát na Východě : Češi očima fotografů 1948-1989 = Once upon a time in the east : Czechs through the eyes of photographers, 1948-1989.
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