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Lecturer(s)
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Course content
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Basic categories and terminology of film-theory will be expounded during the lectures. In historical perspective will be introduced main trends of world cinematography and its directors. Particular Czech and foreign movies will be analysed and interpreted at the seminars.
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Learning activities and teaching methods
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Seminar
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Graduate study programme term essay (40-50)
- 42 hours per semester
- Contact hours
- 26 hours per semester
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| prerequisite |
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| Knowledge |
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| to introduce basic figures and themes of European cultural history |
| to describe the basic historical and cultural realities of European history |
| Skills |
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| to identify the problem (thesis) and reproduce the arguments contained in the given text / artwork |
| to use modern technology |
| Competences |
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| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| to give a basic overview of the various stages of the development of world cinema |
| to explain the context of cinematography in the world artistic tradition |
| to describe the work of important world directors |
| Skills |
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| to use with understanding the notions of film culture |
| to interpret cinematic artwork in its basic context |
| to argue and discuss selected issues in the field of film culture |
| Competences |
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| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Seminar |
| Individual study |
| Multimedia supported teaching |
| Skills |
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| Seminar |
| Individual study |
| Students' portfolio |
| Multimedia supported teaching |
| Competences |
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| Seminar |
| Individual study |
| Students' portfolio |
| Multimedia supported teaching |
| assessment methods |
|---|
| Knowledge |
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| Seminar work |
| Individual presentation at a seminar |
| Skills |
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| Individual presentation at a seminar |
| Seminar work |
| Skills demonstration during practicum |
| Competences |
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| Individual presentation at a seminar |
| Seminar work |
| Skills demonstration during practicum |
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Recommended literature
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Bazin, A. Co je to film. ČSFÚ : Praha, 1979.
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Bernard, Jan; Frýdlová, Pavla. Malý labyrint filmu : Pro čtenáře od 12 let. 1. vyd. Praha : Albatros, 1988.
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Bordwell, David; Thompson, Kristin. Umění filmu : úvod do studia formy a stylu. 1. vyd. V Praze : Nakladatelství Akademie múzických umění, 2011. ISBN 978-80-7331-217-6.
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Drvota, M. Základní složky filmu. NFA : Praha, 1994. ISBN 80-7004-076-9.
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Katz, Steven D. Film directing shot by shot : visualizing from concept to screen. Studio City, CA : Michael Wiese Productions in conjunction with Focal Press, 1991. ISBN 0-941188-10-8.
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Krtková, Šárka. Filmové festivaly. Charakteristika významných filmových festivalů a vypracování glosáře k tomuto tématu.. Plzeň : Západočeská univerzita. Fakulta humanitních studií, 2003.
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Monaco, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Praha : Albatros, 2004. ISBN 80-00-01410-6.
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Thompson, Kristin; Bordwell, David. Film history : an introduction. 2nd ed. Boston : McGraw-Hill, 2003. ISBN 0-07-038429-0.
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