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Lecturer(s)
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Ševčík Miloš, Doc. PhDr. Ph.D.
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Hečková Petra, Mgr. Ph.D.
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Course content
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The emergence of the concept of visual arts. Classification of individual arts. The blurring of the boundaries of art in the 19th and 20th centuries; arts, crafts, industry and media. The emergence of new art forms in the 19th and 20th centuries: photography and film. Definition of art in the theories of the 20th century: expressiveness, aesthetic experience, symbolization, revealing the truth. Contemporary attempts to define art: art and ethical relations, interculturally shared imagery. 1. The personality of the artist from Renaissance art theory to the early avant-garde: the "discovery" of artistic individuality 2. Hegel's idea of the "end of art" and its reflection in later concepts of the development and current state of art 3. Reflection of the nature of abstract painting in its significant representatives (Mondrian, Malevich, Kandinsky) 4. The function and nature of the institution of the museum of fine arts in the reflections of the authors of the 20th and 21st centuries.
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Learning activities and teaching methods
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Lecture supplemented with a discussion, Group discussion, Self-study of literature
- Contact hours
- 12 hours per semester
- Graduate study programme term essay (40-50)
- 80 hours per semester
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Individual project (40)
- 28 hours per semester
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| prerequisite |
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| Knowledge |
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| to outline epochs of European culture history |
| to introduce basic terminology of artistic styles and classification of works of art on non-specialist level |
| to name the amin characters of the history of European art |
| Skills |
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| to include a specific work in the relevant historical period and artistic style |
| to evaluate a specific work of art in a contemporary context |
| Competences |
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| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| to describe the history of understanding of what art is from renaissance till the 21st century |
| to characterize particular theories of art |
| to explain the relations of these theories to the intellectual, social and cultural context of the period |
| Skills |
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| to analyse and compare theories of art on the basis of lecture of primary and secondary literature |
| to formulate presuppositions and consequences of various opinions on art and theories of art, which emerged in the period |
| to evaluate the meaning of these opinions and theories in the context of the European culture |
| Competences |
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| N/A |
| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Lecture |
| Self-study of literature |
| Seminar classes |
| Skills |
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| Lecture with visual aids |
| Seminar classes |
| Competences |
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| Lecture |
| Lecture with visual aids |
| Self-study of literature |
| assessment methods |
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| Knowledge |
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| Seminar work |
| Individual presentation at a seminar |
| Skills |
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| Seminar work |
| Individual presentation at a seminar |
| Competences |
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| Seminar work |
| Individual presentation at a seminar |
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Recommended literature
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Danto, Arthur C. Po konci umění: Současné umění a oblast mimo dějiny. Praha : Academia, 2021. ISBN 978-80-200-3289-8.
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Déotte, Jean-Louis. Le musée, l?origine de l?esthétique. Paris: L?Harmattan. 1985.
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Hegel, Georg Wilhelm Friedrich. Estetika. Sv. I a Sv. II. Praha : Odeon, 1966.
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Kandinskij, Vasilij Vasiĺjevič. O duchovnosti v umění. 1. vyd. Praha : Triáda, 1998. ISBN 80-86138-06-2.
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Kulka,T., Ciporanov, D.. Co je umění? Texty angloamerické estetiky 20. století. Č. Kostelec, 2010.
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Malevič, Kazimir Severinovič. Suprematické zrcadlo. Texty k bezpředmětnosti. Praha : Brody, 1997.
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Mondrian, Piet. Lidem budoucnosti. Praha : Triáda, 2002.
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Patočka, J. Umění a čas II. Praha: Oikoymenh, 2004.
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Patočka, J. Umění a čas I. Praha : OIKOYMENH, 2004.
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Poggioli, Renato. The theory of the avant-garde. Cambridge MA: Belknap, 1968.
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Shiner, Larry. The invention of Art: A cultural history. Chicago : University of Chicago Press, 2001.
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Srp, Karel. Rozlomená doba 1908-1928: avantgardy ve střední Evropě. Praha: Arbor vitae ? Olomouc: Muzeum umění, 2018. ISBN 978-80-88256-08-3.
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Vasari, Giorgio. Životopisy nejvýznačnějších malířů, sochařů a architektů. 1. vyd. Praha : Odeon, 1977.
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