Lecturer(s)
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Course content
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1. philosophy and music, philosophy of music (introduction) 2. artistic work and creative competence 3. composition, form and method 4. cosmology, proportions and numbers 5. mirror, mimesis and image (s)creation 6. rules, truth and beauty 7. instincts, repetition and the passions of the soul 8. emancipation, the artist and art 9. the content of music and the absolute 10. evolution, revolution, novelty and research 11. production, post-production and rhizome
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Learning activities and teaching methods
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- Presentation preparation (report) (1-10)
- 130 hours per semester
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prerequisite |
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Knowledge |
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Work with professional literature. |
Skills |
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Work with professional literature. |
Competences |
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Ph.D. students independently acquire additional professional knowledge, skills and competencies by studying the literature and evaluating and implementing the acquired knowledge. |
learning outcomes |
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Knowledge |
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in the field of philosophy and aesthetics of music, musical perception |
Skills |
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in the field of philosophy and aesthetics of music, musical perception |
Competences |
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Ph.D. students independently acquire additional professional knowledge, skills and competencies by studying the literature and evaluating and implementing the acquired knowledge. |
teaching methods |
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Knowledge |
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Lecture supplemented with a discussion |
Textual studies |
Skills |
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Lecture supplemented with a discussion |
Textual studies |
Competences |
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Lecture supplemented with a discussion |
Textual studies |
assessment methods |
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Knowledge |
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Test |
colloquial discussions |
Skills |
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Test |
colloquial discussions |
Competences |
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Test |
Recommended literature
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Adorno, Theodor Wiesengrund. Philosophie der neuen Musik. Europäische Verlagsanstalt. 1966.
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Adorno, Theodor Wiesengrund. Philosophy of New Music. University of Minnesota Press. 2006.
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Bloch, Ernst. Essays on the Philosophy of Music. Cambridge University Press. 1985.
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DELEUZE, Giles-GUATTARI, Felix. Rhizom. In Tisíc plošin. s. 9-36. Herrmann a synové, 2010.
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Dykast, Roman. Hudba věku melancholie. Togga. 2005.
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DYKAST, Roman-VIČAR, Jan. Hudební estetika.. NAMU, 2002.
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Gadamer, Hans-Georg. Aktualita krásného: umění jako hra, symbol a slavnost. Triáda. 2003.
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GREENBERG, Clement. Avant-Garde and Kitsch. Partisan Review, 1939. CZ: Avantgarda a kýč. Revue Labyrint, č. 7-8, s. 68 - 74. 2000.
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HANSLICK, Eduard. Vom Musikalisch-Schönen. Philipp Reclam, 1982. CZ: O hudebním krásnu, příspěvek k revizi hudební estetiky. Supraphon. 1973.
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LYOTARD, Jean-François. O postmodernismu. Filosofický ústav AV ČR. 1993.
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Rejcha, Antonín. Hudba jako ryze citové umění. Togga. 2009.
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SÖRBOM, Göran. The Classical Concept of Mimesis. s. 19-28. A Companion to Art Theory. 2002.
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Zuska, Vlastimil. Mimésis - fikce - distance, k estetice 20. století. Triton. 2002.
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ZUSKA, Vlastimil. Mimésis - fikce - distance, k estetice 20. století. Triton. 2002.
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