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Lecturer(s)
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Feiferlíková Romana, Mgr. et Mgr. Ph.D.
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Vičar Jan, Prof. PhDr. MgA. CSc.
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Course content
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Contens : the base of theory - theme of discussion : main notion, eduction ? criticism, art criticism, music criticism. The music criticism as part of musicology. Music reviewer individuality, his expert and morality presumptions. The critic opinion, their forms, meaning for history, for performers, for audience). The way of formulation and sentencing of critic opinions. Individuation of the critic opinions in light of music reviewer individuality and type of criticism (for newspapers, special journals). The objectivity of critic opinions and endeavour to their maximum. The practical contens : listening and comparison of recording of the same score, discussion, autonomous praparation of the similar comparison, the visit of concert or opera, discussion and later formulation of critic opinions for music journals and for cultural pages at the newspapers, reading of review, discussion, evaluation of music journals.
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Learning activities and teaching methods
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Lecture supplemented with a discussion, Discussion, Multimedia supported teaching, Students' portfolio, Individual study, Textual studies, Lecture
- Undergraduate study programme term essay (20-40)
- 30 hours per semester
- Presentation preparation (report) (1-10)
- 5 hours per semester
- Contact hours
- 26 hours per semester
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| prerequisite |
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| Knowledge |
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| Ability of reception all if kind type of music, ability to contemplation and formulation of opinion, usage of writing form of czech language |
| learning outcomes |
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| Student recognises the basic function of music criticism, he knows the genres of music criticism and its rudiments. He applies this knowledges at the own critic formulation ? evaluation of the journals, of music demonstrations and concerts. |
| teaching methods |
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| Lecture |
| Lecture supplemented with a discussion |
| Multimedia supported teaching |
| Textual studies |
| Individual study |
| Students' portfolio |
| Discussion |
| assessment methods |
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| Skills demonstration during practicum |
| Individual presentation at a seminar |
| Seminar work |
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Recommended literature
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Hudební věda : Historie a teorie oboru, jeho světový a čes. vývoj : Celost. vysokošk. učebnice pro stud. filozof. fakult univerzit, pedagog. fakult a AMU. Díl 3., Disciplíny hudební vědy, část 2. 1. vyd. Praha : SPN, 1988.
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Blume F. Musik in Geschichte und Gegenwart - heslo Musikkritik,. Kasel-Basel ,, 1961.
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Fukač, Jiří. Hudba a media. Rukověť muzikologa. Brno : MU, 1998.
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Fukač, Jiří. Slovník české hudební kultury. 1. vyd. Praha : Editio Supraphon, 1997. ISBN 80-7058-462-9.
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Grove G. Dictionary of Music and Musicians - heslo Criticism,. London,, 1961.
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Hrčková, Naďa. Hudobná kritika a hodnotenie,. Bratislava, 1986.
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Seeger H. Musiklexikon - heslo Musikkritik, Leipzig, 1966.
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Spousta. Hudebně-literární slovník : hudební díla inspirovaná slovesným uměním. I. díl slovníkové trilogie, Světoví skladatelé. Brno, 2011. ISBN 978-80-210-5311.
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Spousta. Hudebně-literární slovník : hudební díla inspirovaná slovesným uměním. III. díl slovníkové trilogie, Skladatelé 20. století. Brno, 2013. ISBN 978-80-210-5641.
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Šeda J. O hudební kritice v ČSR,. Praha,, 1987.
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Vičar, Jan. Hudební kritika a popularizace hudby. Praha:KLP, 1997.
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