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Lecturer(s)
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Smutný Dalibor, Prof. akad. mal.
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Poláček Stanislav, MgA. Mgr.
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Zapletal Aleš, MgA. et MgA. Ph.D.
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Course content
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It works from study, etudes to a continuous cycle. During the semester, horizons are sought between the idea and the ideal and the limit of notice. New forms of display and interpretation of reality are sought. We are looking for new formal starting points and a personal art language. Contemplated experience. 1. Drawing by real subject and figuring of objects 2. Drawing according to the fig 3. Compositional and Expressional Principles with Use for Area Art 4. Compositional and Expressional Principles with Use for Drawing and Painting 5. Compositional and Expressional Principles for Painting 6. Realization of the creative intent 7. Realization of creative intent 8. Creative gesture and overlap in flat art techniques 9. Realization of the creative intent 10. Realization of creative intent and variation 11. Work in cycles 12. Cycles and technological experiments 13. Studio evaluation
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Learning activities and teaching methods
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- Contact hours
- 39 hours per semester
- Individual project (40)
- 40 hours per semester
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| prerequisite |
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| Knowledge |
|---|
| to describe and to clarify the expressive possibilities of art techniques; |
| to explain the technological procedures of several techniques and their alternatives; |
| to reflect the results of their own work in relation to their applicability in pedagogical practice. |
| Skills |
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| to create sketch and project of their own task; |
| to design and develop the artwork in accordance with the assigned task; |
| to use expressions of graphics techniques; |
| to use properly the technological aspects of the task; |
| to verify material properties, artworks and tools; |
| to experiment with the expressive means of graphics. |
| Competences |
|---|
| N/A |
| N/A |
| N/A |
| N/A |
| learning outcomes |
|---|
| Knowledge |
|---|
| to describe and to clarify the expressive possibilities of graphic techniques; |
| to explain the technological procedures of several techniques and their alternatives; |
| to describe the quality of expression in the general level and in his own artistic expression; |
| to describe material properties, artworks and tools; |
| to reflect the results of their own work in relation to their applicability in pedagogical practice. |
| Skills |
|---|
| to realize and develop a graphic design according to the proposed concept; |
| to choose some means of artistic expression appropriately in relation to the author´s intention; |
| to work in cycles with alternative capabilities including change of form; |
| to use an analogous or descriptive interpretation of the subject; |
| to utilise the rules of artistic expression in both technology and expression; |
| to experiment with the means of expression of several techniques; |
| to evaluate their own creative work; |
| to work also in exaggeration and experiment. |
| Competences |
|---|
| N/A |
| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Lecture supplemented with a discussion |
| Discussion |
| Multimedia supported teaching |
| One-to-One tutorial |
| Group discussion |
| Self-study of literature |
| Skills |
|---|
| Interactive lecture |
| Project-based instruction |
| Students' portfolio |
| Skills demonstration |
| Task-based study method |
| Individual study |
| Seminar |
| Competences |
|---|
| Lecture supplemented with a discussion |
| Discussion |
| Multimedia supported teaching |
| One-to-One tutorial |
| Group discussion |
| Self-study of literature |
| Interactive lecture |
| Project-based instruction |
| Students' portfolio |
| Skills demonstration |
| Task-based study method |
| Individual study |
| Seminar |
| assessment methods |
|---|
| Knowledge |
|---|
| Project |
| Skills |
|---|
| Project |
| Seminar work |
| Portfolio |
| Individual presentation at a seminar |
| Skills demonstration during practicum |
| Group presentation at a seminar |
| Practical exam |
| Competences |
|---|
| Seminar work |
| Bachelor's thesis assessment |
| Project |
| Portfolio |
| Individual presentation at a seminar |
| Skills demonstration during practicum |
| Group presentation at a seminar |
| Practical exam |
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Recommended literature
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BLÁHA, J.; SLAVÍK, J. Průvodce výtvarným uměním V. Praha, 1997.
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CHVATÍK, K. Strukturální estetika. Brno : Host, 2001. ISBN 80-7294-027-9.
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KLOUZA, R. Pohled do obrazu : technologická kopie obrazu jako tvůrčí studijní proces. Boskovice : Albert, 2014. ISBN 978-80-7326-245-7.
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LEISSMANN, K. P. Filozofie moderního umění. Olomouc : Votobia, 2000. ISBN 80-7198-444-2.
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MICHÁLEK, O. Magie otisku: grafické techniky a technologie tisku. Brno : Barrister & Principal, 2016. ISBN 978-80-7485-098-1.
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NOGA, P. Odraz - text - obraz - Pavel Noga. Český Těšín: Městská knihovna.
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PRAHL, R. Umění předlouhého století a paměť lidské chůze. Plzeň: Západočeská galerie v Plzni, 2023. ISBN 978-80-88027-51-5.
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RYDVALOVÁ, V. Grafické techniky v 21. století. Praha, 2021. ISBN 978-80-7568-409-7.
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VAŇKOVÁ, P. Umění je abstrakce: obrazy, kresby, grafika, sochy. Praha: Kulturní Jižní město, 2022. ISBN 978-80-908148-5-1.
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