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Lecturer(s)
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Zapletal Aleš, MgA. et MgA. Ph.D.
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Smutný Dalibor, Prof. akad. mal.
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Poláček Stanislav, MgA. Mgr.
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Havlíček Jakub, Mgr.
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Course content
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1. Introduction to experimental drawing and material explorations 2. The role of art exploration in the art of the present and the past 3. Forms of experimental drawing in the art of the 20th and 21st century 4. Material explorations in the art of the 20th and 21st century 5. Material properties and their application in the creative process 6. Limits of traditional techniques and procedures in fine arts 7. Specifics of non-traditional artistic means 8. Drawing and material experiments on the way to authentic artistic expression 9. Concept of experimental drawing and preparation of conditions for material explorations 10. Methods of realization of experimental drawing 11. Material explorations and forms of realization of art experiments 12. Reflections of drawing and material experiments 13. Methods of presentation of results of experimental drawing and material explorations
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Learning activities and teaching methods
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- Contact hours
- 39 hours per semester
- Undergraduate study programme term essay (20-40)
- 20 hours per semester
- Preparation for an examination (30-60)
- 20 hours per semester
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| prerequisite |
|---|
| Knowledge |
|---|
| no specific professional knowledge is required. |
| Skills |
|---|
| no specific professional knowledge is required. |
| Competences |
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| N/A |
| N/A |
| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| to explain the difference between traditional and non-traditional means of expression in visual arts; |
| to clarify some artistic concepts in history of art or in contemporary art with the aid of concrete examples of artworks; |
| to characterize and distinguish various properties of different materials. |
| Skills |
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| to experiment with means of expression in drawing; |
| to explore the properties of various materials and to use them in their own artwork; |
| to examine and to verify the communicative effects of non-traditional art techniques and methods; |
| to apply and to develop authentic concepts in art creation; |
| to design and to realize an artwork in relation to chosen concepts; |
| to analyse, to interpret and to critically evaluate their own artwork. |
| Competences |
|---|
| N/A |
| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Lecture supplemented with a discussion |
| Discussion |
| Multimedia supported teaching |
| One-to-One tutorial |
| Group discussion |
| Self-study of literature |
| Textual studies |
| Lecture |
| Field trip |
| Skills |
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| Interactive lecture |
| Collaborative instruction |
| Cooperative instruction |
| Students' portfolio |
| Individual study |
| Seminar |
| Competences |
|---|
| Field trip |
| Lecture |
| Seminar |
| Interactive lecture |
| Lecture supplemented with a discussion |
| Collaborative instruction |
| Cooperative instruction |
| Discussion |
| Multimedia supported teaching |
| Students' portfolio |
| One-to-One tutorial |
| Group discussion |
| Individual study |
| Self-study of literature |
| Textual studies |
| assessment methods |
|---|
| Knowledge |
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| Continuous assessment |
| Skills |
|---|
| Seminar work |
| Portfolio |
| Individual presentation at a seminar |
| Skills demonstration during practicum |
| Group presentation at a seminar |
| Continuous assessment |
| Self-evaluation |
| Competences |
|---|
| Seminar work |
| Portfolio |
| Individual presentation at a seminar |
| Skills demonstration during practicum |
| Group presentation at a seminar |
| Continuous assessment |
| Self-evaluation |
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Recommended literature
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Vitamin D: New Perspectives In Drawing. London: Phaidon, 2016. ISBN 9780714857138.
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Vitamin 3-D: newperspectives in sculpture and installation. London: Phaidon, 2009. ISBN 978-0-71484-974-4.
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Beranová, Pavla. Ateliér veškerého sochařství: ateliér Kurta Gebauera na Vysoké škole uměleckoprůmyslové v Praze = The studio of universal sculpture : the studio of Kurt Gebauer attheAcademyofArts, Architecture& Design, Prague.. V Praze: Vysoká škola uměleckoprůmyslová, 2010. ISBN 978-80-86863-30-6.
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BLÁHA, J. Výtvarné umění a hudba. I, Tvar, prostor a čas. Praha : Togga. 2013.
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Böhm, David; Franta, Jiří. Böhm, Franta : nulla dies sine linea. Praha : BiggBoss, 2012. ISBN 978-80-903973-4-7.
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Bregantová, Polana,; Švácha, Rostislav,; Platovská, Marie. Dějiny českého výtvarného umění. [VI] 1958-2000. Praha : Academia, 2007. ISBN 978-80-1489-6.
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Foster, Hal. Umění po roce 1900 : modernismus, antimodernismus, postmodernismus. V Praze : Slovart, 2007. ISBN 978-80-7209-952-8.
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CHORÝ, O. Not OK. Praha: UMPRUM, 2022. ISBN 978-80-88308-56-0.
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Kerhartová, Jana. Humor a hra v Galerii H. 1. vydání. 2016. ISBN 978-80-7290-888-2.
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LINDAUROVÁ, Lenka, PROCHÁZKOVÁ, Bára. Mezera: mladé umění v Česku 1990-2014. Praha: Společnost Jindřicha Chalupeckého, Magnus art., 2014. ISBN 978-80905317-3-4.
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O'DOHERTY, Brian. Uvnitř bílé krychle: ideologie galerijního prostoru. Praha: tranzit.cz. Navigace, 2014. ISBN 978-80-87259-30-6.
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