Lecturer(s)
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Kotyza Vladivoj, akademický malíř
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Trnka Pavel, MgA. Mgr.
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Course content
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1.-13. - Theoretical introduction to the drawing matter - Explaining perspective (angle scheme) - Proportion, figure drawing in geometric stylization - Drawing focused on proportion and perspective - Anatomy - step by step acquaintance - Taking down an expression/a countenance - Taking down human emotions " Odkaz na další informace... " Link to further details
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Learning activities and teaching methods
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Collaborative instruction, Instruction based on dialogue, One-to-One tutorial, Skills demonstration, Seminar classes, Individual study, Students' self-study
- Contact hours
- 39 hours per semester
- Individual project (40)
- 40 hours per semester
- Undergraduate study programme term essay (20-40)
- 25 hours per semester
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prerequisite |
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Knowledge |
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Partial knowledge of the drawing matter. |
to recognize the basic drawing elements and their funcionality in the creative process, to show knowledge of basig theoretical patterns of displaying spacial objects into surface (linear perspective), to recall partial knowledge of the drawing matter and its different forms, |
Skills |
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Artistic talent, concern for the subject. |
to work with basic drawing mediums and techniques, to work independently and flexibly react to evaluating commentary of the teacher, to apply the knowledge to display spacial objects and relations between them and verify their elaboration into own work (measurement and comparison of proportions, composition), |
Competences |
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N/A |
N/A |
N/A |
learning outcomes |
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Knowledge |
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of trafitional drawing techniques and technolgies, of deeper understanding of basic elements of drawing compositions and their possibilities, of suitable criteria in choosing different drawing techniques depending on the aim of creative work (atmosphere, character), |
Skills |
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according to his/her personal abilities, to gain experience in specifically targetted artistic disciplines, to express (accordingly to personal artistic skill level) by compostion excercises, still-life studies, drawing in different enviroments, portraits or free drawing expression, to display specific individual character and featuresl (body and face structure, individual particularities), to apply and further develop own specific artistic style on different types of motives, |
Competences |
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N/A |
N/A |
teaching methods |
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Knowledge |
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Collaborative instruction |
Individual study |
One-to-One tutorial |
Discussion |
Skills |
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Practicum |
Skills demonstration |
Interactive lecture |
Individual study |
One-to-One tutorial |
Students' portfolio |
Competences |
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Skills demonstration |
Students' portfolio |
Individual study |
assessment methods |
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Knowledge |
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Continuous assessment |
Individual presentation at a seminar |
Skills |
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Skills demonstration during practicum |
Seminar work |
Self-evaluation |
Continuous assessment |
Portfolio |
Competences |
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Skills demonstration during practicum |
Portfolio |
Self-evaluation |
Recommended literature
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Monografie umělců zejména renesance 19. a 20. stol.
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Bammes, Gottfried. Figürliches Gestalten : ein Leitfaden für Lehrende und Lernende. Berlin : Volk und Wissen volkseigener Verlag, 1981.
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Crhák, František. Výtvarná geometrie. Praha : Státní pedagogické nakladatelství, 1977.
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Krejča, Aleš. Techniky grafického umění : Průvodce pracovními postupy a dějinami originální tiskové grafiky. Praha : Artia, 1981.
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Marco, Jindřich. O grafice. Praha : Mladá fronta, 1981.
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Rusek, Ladislav. Umění kresby : učební text pro studium výtvarné výchovy : učitelství v 6. - 9. roč. ZŠ. Olomouc : Pedagogická fakulta Univerzity Palackého, 1977.
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Teissig, Karel; Brabcová, Jana. Technika kresby. Praha : Artia, 1986.
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Tetiva, Vlastimil. Česká kresba 20. století ze Sbírek Alšovy jihočeské galerie : Katalog výstavy, Hluboká nad Vltavou, květen-září 1984. Hluboká nad Vltavou : Alšova jihočeská galerie, 1984.
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Tetiva, Vlastimil. České umění 20. stol. 20.
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Zrzavý, Josef. Anatomie pro výtvarníky. Praha : Avicenum, 1977.
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