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Lecturer(s)
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Trnka Pavel, MgA. Mgr.
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Kotyza Vladivoj, akademický malíř
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Course content
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1.-13. Composition excercise Still-life study Painting in differents kinds of environment Free, applied painting The teacher gives more detailed information about the semester progression in the initial lesson and then on during the semester according to the development of student´s talent
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Learning activities and teaching methods
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Collaborative instruction, Instruction based on dialogue, Students' portfolio, One-to-One tutorial, Group discussion, Skills demonstration, Seminar classes, Individual study, Practicum
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Contact hours
- 39 hours per semester
- Undergraduate study programme term essay (20-40)
- 55 hours per semester
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| prerequisite |
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| Knowledge |
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| Knowledge about painting matching the degree of a secondary art school graduate, for secondary grammar school graduates: aptitude verified by passing an entrance talent exam successfully. |
| o recognize the basic drawing and painting elements and their funcionality in the creative process (point, area, color, modelation, lights and shadows), to show knowledge of basig theoretical patterns of imaging spacial objects into surface (linear perspective), to recall basic technical and technological procedures of basic painting methods, |
| Skills |
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| to work with basic drawing and painting mediums and techniques, to work independently and flexibly react to evaluating commentary of the teacher, to apply the knowledge to image spacial objects and relations between them and verify their elaboration into own work (measurement and comparison of proportions, composition), to show will to artistic experiment and to analyze is particular steps and outcomes, |
| Competences |
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| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| Student will deepen his/her knowledge of painting technologies, will get more experienced in colour composition. S/he can further individually target at a painting specialization according to his/her preferences. |
| of deeper understanding of basic elements of painting compositions and their possibilities, in choosing different painting techniques depending on the aim of creative work (atmosphere, character), of options of painting based on his/her own profilation of work or discipline, |
| Skills |
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| modeling of the matter by lights and shadows, to work with color in both realistic and hyperbolic and symbolic means, to image specific individual character and features of a specific model (body and face structure, individual particularities), to apply and further develop own specific artistic style on figural motives in painting with the starting point in academical forms aiming to free author's artistic manustript, to find usage of painting and its various forms in own primary discipline, |
| Competences |
|---|
| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| One-to-One tutorial |
| Self-study of literature |
| Interactive lecture |
| Seminar classes |
| Skills |
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| Seminar |
| Lecture with visual aids |
| Students' portfolio |
| Individual study |
| Competences |
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| Students' portfolio |
| Skills demonstration |
| assessment methods |
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| Knowledge |
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| Seminar work |
| Continuous assessment |
| Skills |
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| Skills demonstration during practicum |
| Seminar work |
| Continuous assessment |
| Individual presentation at a seminar |
| Competences |
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| Portfolio |
| Individual presentation at a seminar |
| Self-evaluation |
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Recommended literature
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Malířské povídky. Praha : Nakl. Svoboda, 1985.
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Copplestone Trewin. Moderní umění. SNKLU, 1965.
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Čapek, Josef. Co má člověk z umění a jiné úvahy o umění z let 1911-1937. V Praze : Výtvarný odbor Umělecké besedy, 1946.
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Kramář, Vincenc; Hobzek, Josef; Brunclík, Josef. O obrazech a galeriích. Praha : Odeon, 1983.
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Kupka F. Tvoření v umění výtvarném.
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Lamač, Miroslav. Myšlenky moderních malířů. Praha : Nakladatelství československých výtvarných umělců, 1968.
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Lynton, Herbert. Umění 19. a 20. století. Praha : Artia, 1981.
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Míčko, Miroslav. Umění nebo život : Rozhovory a vyznání. Praha : Národní práce, 1944.
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Mrkvička O. Umění a kýč. MF.
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Ochrymčuk, Leonid. Návštěva mezi obrazy : vyprávění o obrazech a umělcích a řada hravých etud pro obě oči. Praha : Státní pedagogické nakladatelství, 1973.
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Padrta, Jiří; Lamač, Miroslav; Motlová, Milada. Osma a Skupina výtvarných umělců 1907 - 1917 : Teorie, kritika, polemika. Praha : Odeon, 1992. ISBN 80-207-0404-3.
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Zhoř, Igor. Člověk a výtvarné umění. Praha : Orbis, 1963.
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Zrzavý, Josef. Anatomie pro výtvarníky. Praha : Avicenum, 1977.
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Zykmundová, Anna. Díváme se na obrazy. Praha : Nakladatelství československých výtvarných umělců, 1956.
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