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Lecturer(s)
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Course content
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Matrices - materials, formats, resistance, and durability, the effect of the matrix on expression Comparison of the same shape in different interpretations, the effect of the tool Printing in machines and without machines - comparison of advantages, limits, and disadvantages multiplication versus uniqueness, originality versus large series Alternative use of tools and machinery - drawing with a frame, roller, spatulas, deformation of the shape depending on the amount and nature of the paint Types and types of printing inks - possibilities of influencing quality, pigments, binders, thinners, health aspects, drying process, siccatives, special paints Printed materials - paper, textile, metal, glass, ceramics, plastics, direct and indirect transfer, printing pressure and speed, and distance methods of ink transfer Printing conditions and environment - temperature and humidity of the atmosphere, matrix heating, changes in the properties of ink depending on temperature, thermoplastics Matrices matching during color registration - crosses, pins, vingl, passe-partout, marks in the guide plate, stops, marks, targeted color shift Registration of various techniques - combinations from the perspective of the limits of the printed surface, logic of order, stamps, dies, structured matrices, color, and path matching Paper surface treatment - underprint, satin finish, coatings, embossing, partial and full printing, lamination, varnishing, paper for the scratch-off technique, Anastatic overprinting - watercolor overprinting, thermoplastic materials, organic solvents, repeated overprinting, collage, possibilities in lithography Large format printing - rapport printing, principles of ornamentation, gluing maps, drawing connection, slowing down drying in individual techniques Care of old prints - cleaning mold, rust, active chlorine, and print revival HNO3+turpentine, collage, appropriation, overprint Extreme positions of printing - exterior, XXL size, frottage, stencil, between painting and 3D
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Learning activities and teaching methods
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Lecture with practical applications, Collaborative instruction, Project-based instruction, Students' portfolio, One-to-One tutorial, Seminar classes, Individual study, Students' self-study, Field trip
- Contact hours
- 78 hours per semester
- Attendance on a field trip (number of real hours - maximum 8h/day)
- 8 hours per semester
- Individual project (40)
- 40 hours per semester
- Undergraduate study programme term essay (20-40)
- 40 hours per semester
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| prerequisite |
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| Knowledge |
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| The ability to cooperate in group tasks. |
| to compare and analyze different artistic expressions by criteria of esthetics, semiotics and technique on basic level, to specify basic knowledge of supporting arts disciplines, to have basic knowledge about artistic and style canons of evolution of visual and applied art, |
| Skills |
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| to use basic expresive means and options of photography and its different methods, to work independently and activelly and flexibly react to evaluating commentary of the teacher, to design visual graphics metaphors with erudition on options of graphics, to cooperate and to paticipate in team organisation on team given task, |
| Competences |
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| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| the position of discipline in the historical context and in relation to other disciplines and the use of the same principle in polygraphic practice, the knowledge of the development of book printing, the rules of the tariff and the fundamentals of typography at all, technical and technological procedures and their comparison with other methods, individual workflows leading to the image re-creation, |
| Skills |
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| choose the optimal means to realize your creative intent and choose the best way, to use the basic graphic techniques, tools and materials used in this graphic discipline independently in their own work, plan and collaborate to develop a group project using the expressive means of this graphic discipline, he can practically realize basic letterpress procedures using traditional printing technology from a height rules the rates, the basics of typography, the basics of manual rate, the creation of the composition of prints, the correction processes is able to use the basic polygraphic terminology independently |
| Competences |
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| N/A |
| N/A |
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| teaching methods |
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| Knowledge |
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| Lecture with visual aids |
| One-to-One tutorial |
| Skills |
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| Skills demonstration |
| Individual study |
| Students' portfolio |
| Field trip |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Individual presentation at a seminar |
| Continuous assessment |
| Skills |
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| Skills demonstration during practicum |
| Group presentation at a seminar |
| Competences |
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| Individual presentation at a seminar |
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Recommended literature
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Grapheion : Evropská revue o moderní grafice, umění knihy, tisku a papíru. Praha: Středoevropská galérie a nakladatelství, 1997.
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Katalogy výstav souč. výtvarných umělců, česká kresba, 20. st.
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Monografie výtvarných umělců 19.a 20. st., katalogy výstav souč. výtvarných umělců, česká kresba, 20. st.
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Jůna L. Lept a příbuzné techniky.
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Krejča, Aleš. Techniky grafického umění : Průvodce pracovními postupy a dějinami originální tiskové grafiky. Praha: Artia, 1981.
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Marco, Jindřich. O grafice. Praha: Mladá fronta, 1981.
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Rambousek, Jan. Slovník a receptář malíře-grafika. 1. vyd. Praha: Státní nakladatelství krásné literatury, hudby a umění, 1954.
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Tetiva, Vlastimil. České umění 20. stol. 20.
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