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Lecturer(s)
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Axmann Mikoláš, Prof. akad. mal.
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Kocman Bedřich, MgA. Mgr.
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Course content
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1. Ways to store images - relief, template, chemistry, or digital mode. 2. Enter the first task - block B2 printing, painting and song writing techniques venal graphic coloring. 3. - 6. Consultation semester assignment, coloring, large format printing, unique piece. 7. Entering the second semester assignment - poster B1 in the combined techniques such as serigraphy and the lino, the content is a literary theme. 8. - 13. Consultation semester assignment, combined techniques, seal, watermark. Assignment evaluation. In this semester, students individually choose one of four positions on the matrix, preserving the image - either relief, or template, chemical way or digital way. Then implement the processing method chosen (historical - traditional or current - the current technology), combining traditional and "buried" position graphic expression to tendencies today.
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Learning activities and teaching methods
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Lecture with practical applications, Project-based instruction, Students' portfolio, Skills demonstration, Task-based study method, Lecture with visual aids, Practicum
- Contact hours
- 195 hours per semester
- Individual project (40)
- 40 hours per semester
- Undergraduate study programme term essay (20-40)
- 40 hours per semester
- Preparation for an examination (30-60)
- 60 hours per semester
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Practical training (number of hours)
- 70 hours per semester
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| prerequisite |
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| Knowledge |
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| of basic knowledge of typology and font making including its different qualities of further partial division of basic graphic techniques and their usage in making of conventional complex units and graphics as own artistic epression of common graphic and digital procedures and their integration into own automated motoric processes, of knowledge of several usages of graphc other than conventional to plan a project and divide it into several steps to repruduce professional terminology of materials and techniques of graphic art and to use it fluently in communication about creative process |
| Skills |
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| of making drawing designs for graphic elaborating considering specifics based on the nature of the graphic technique and its overlap to other graphic and illustratition forms and their combination to use basic machines, tools and other equipment of graphic workshop including various chemical substances and materials for various types of printing and combine them with digital tools of technical elaborating of matrix for the most of common graphic techniques of both mechanical and chemical nature of making uniformed style of simple complex unit based od asigned task from managing particular methodical steps and evaluating aesthetics and originality to realization of final author's product to reflect his work in historical and contemporary contexts and to be aware of potencial of those contexts for own original expression and inspirational sources which work with this reality to show own creativity on generally assigned task, to show the will to find different artistic solutions, alter them and constructivelly evaluate |
| learning outcomes |
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| Knowledge |
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| of typology and font making including its different qualities and to choose it based on a purpose of further partial division of basic graphic techniques and their usage in making of conventional complex units and graphics as own artistic epression of common graphic and digital procedures and their integration into own automated motoric processes, of knowledge of several usages of graphc other than conventional and options they have for own creative action to plan a project and divide it into several steps, finding and alteration of those steps to repruduce professional terminology of materials and techniques of graphic art and to use it fluently in communication about creative process |
| Skills |
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| of making drawing designs for graphic elaborating considering specifics based on the nature of the graphic technique and its overlap to other graphic and illustratition forms and their combination to professionally use machines, tools and other equipment of graphic workshop including various chemical substances and materials for various types of printing and combine them with digital tools, to handle technology of large scale printing of technical elaborating of matrix for the most of common graphic techniques of both mechanical and chemical nature, to use the most appropriate way to preserve the image matrix and process historical or current way of making uniformed style of complex unit based on asigned task from managing particular methodical steps and evaluating aesthetics and originality to realization of final author's product to reflect his work in historical and contemporary contexts and to be aware of potencial of those contexts for own original expression and inspirational sources which work with this reality |
| Competences |
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| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Students' portfolio |
| One-to-One tutorial |
| Seminar classes |
| Skills |
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| Skills demonstration |
| Students' portfolio |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Seminar work |
| Continuous assessment |
| Skills |
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| Skills demonstration during practicum |
| Project |
| Practical exam |
| Competences |
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| Seminar work |
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Recommended literature
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Bible podle Vydání Kralického.
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Bohatcová, Mirjam. Česká kniha v proměnách staletí. 1. vyd. Praha : Panorama, 1990. ISBN 80-7038-131-0.
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Bowlt, John E.; Hernad, Béatrice. Aus vollem Halse : Russische Buchillustration und Typographie 1900-1930. Aus den Sammlungen der Bayerischen Staatsbibliothek München. 1. Dezember 1993 - 29. Januar 1994. München : Prestel, 1993. ISBN 3-7913-1289-8.
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Čapek, Josef. Umění přírodních národů. Praha : Československý spisovatel, 1949.
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Hájek, L. Figurální malba východní Asie.
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Heller, Steven,; Wiedemann, Julius. 100 illustrators. Praha : Slovart, 2013. ISBN 978-80-7391-808-8.
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Kneidl, P. Z historie evropské knihy.
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Krejča, Aleš. Grafické techniky. 2. vyd. Praha : Aventinum, 1994. ISBN 80-7151-636-8.
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Kritter, Ulrich von. Slawische Buchillustration im 20. Jahrhundert : Rußland, Polen, Tschechien, Slowakei. Köln : Bölau, 1998. ISBN 3-412-12497-4.
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Meggs, Philip B. A history of graphic design. New York : John Wiley & Sons, 1998. ISBN 0-471-29198-6.
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Pijoan, José. Dějiny umění. 1. Praha, 1998.
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Reynek, Bohuslav; Quinn, Justin,; Putna, Martin C.,; Šerých, Jiří. The well at morning : selected poems and graphic artworks, 1925-1971. First English edition. 2017. ISBN 978-80-246-3425-8.
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Slánský, B. Technika malby. Paseka, 2005.
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Stehlíková, Blanka. Cesty české ilustrace v knize pro děti a mládež. 1. vyd. Praha : Albatros, 1984.
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Šmejkal, František. František Muzika. Praha : Odeon, 1966.
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Štech, V. V. Rembrandt Kresby a Grafika.
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Wiedemann, Julius. Illustrations Now! : 96 illustrators from 13 countries. Hong Kong : Taschen, 2008. ISBN 978-3-8365-0509-3.
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Zahálka, F. Přehled knihtisku.
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