Lecturer(s)
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Axmann Mikoláš, Prof. akad. mal.
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Course content
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1. Ways to store images - relief, template, chemistry, or digital mode. 2. Enter the first task - block B2 printing, painting and song writing techniques venal graphic coloring. 3. - 6. Consultation semester assignment, coloring, large format printing, unique piece. 7. Entering the second semester assignment - poster B1 in the combined techniques such as serigraphy and the lino, the content is a literary theme. 8. - 13. Consultation semester assignment, combined techniques, seal, watermark. Assignment evaluation. In this semester, students individually choose one of four positions on the matrix, preserving the image - either relief, or template, chemical way or digital way. Then implement the processing method chosen (historical - traditional or current - the current technology), combining traditional and "buried" position graphic expression to tendencies today.
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Learning activities and teaching methods
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Lecture with practical applications, Project-based instruction, Students' portfolio, Skills demonstration, Task-based study method, Lecture with visual aids, Practicum
- Undergraduate study programme term essay (20-40)
- 40 hours per semester
- Contact hours
- 208 hours per semester
- Preparation for an examination (30-60)
- 60 hours per semester
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Practical training (number of hours)
- 85 hours per semester
- Individual project (40)
- 40 hours per semester
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prerequisite |
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Knowledge |
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of typology and font making including its different qualities and to choose it based on a purpose of further partial division of basic graphic techniques and their usage in making of conventional complex units and graphics as own artistic epression of advanced graphic and digital procedures and their integration into own automated motoric processes, of knowledge of usages of graphic other than conventional and options they have for own creative action bot on small and large scale to plan a complex project and divide it into several steps, finding and alteration of those steps and finding the best solution both in proces and product of the work to repruduce professional terminology of materials and techniques of graphic art and to use it fluently in communication about creative process |
Skills |
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of making drawing designs of higher noticeable value for graphic elaborating considering specifics based on the nature of the graphic technique and its overlap to other graphic and illustratition forms and their combination to professionally use machines, tools and other equipment of graphic workshop including various chemical substances and materials for various types of printing and combine them with digital tools, to handle technology of large scale printing and perserving matrix for those prints of technical elaborating of matrix for the most of common graphic techniques of both mechanical and chemical nature, to use the most appropriate way to preserve the image matrix and process historical or current way of making uniformed style of complex unit based on asigned task from managing particular methodical steps, evaluating aesthetics and originality to realization of final author's product and compare with original function of work to reflect his work in historical and contemporary contexts and to be aware of potencial of those contexts for own original expression and inspirational sources which work with this reality |
Competences |
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N/A |
N/A |
N/A |
N/A |
learning outcomes |
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Knowledge |
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of typology and font making including its different qualities and to choose it based on a purpose and own personal expression of further partial division of basic graphic techniques and their usage in making of conventional complex units and graphics as own artistic expression of advanced graphic and digital procedures and their integration into own automated motoric processes, of knowledge of usages of graphics other than conventionally and options they have for own creative action on small and large scale and on the dispaly to individually plan a complex project and divide it into several steps, finding and alteration of those steps and finding the best solution both in proces and product of the work to repruduce professional terminology of materials and techniques of graphic art and to use it fluently in communication about creative process |
Skills |
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of making drawing designs of higher noticeable value for graphic elaborating considering specifics based on the nature of the graphic technique and its overlap to other graphic, digital and illustratition forms and their combination to professionally use machines, tools and other equipment of graphic workshop including various chemical substances and materials for various types of printing and combine them with digital tools, to handle technology of large scale printing and perserving matrix for those prints of technical elaborating of matrix of different sizes for the conventional and unconventional graphic techniques of both mechanical and chemical nature, to use the most appropriate way to preserve the image matrix and process historical or current way of individual making uniformed style of complex unit based on asigned or own task from managing particular methodical steps, evaluating aesthetics and originality to realization of final author's product and compare with original function of work to reflect his work in historical and contemporary contexts and to be aware of potencial of those contexts for own original expression and inspirational sources which work with this reality |
Competences |
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N/A |
N/A |
N/A |
teaching methods |
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Knowledge |
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Students' portfolio |
One-to-One tutorial |
Seminar classes |
Skills |
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Skills demonstration |
Students' portfolio |
Competences |
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Discussion |
assessment methods |
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Knowledge |
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Seminar work |
Continuous assessment |
Skills |
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Skills demonstration during practicum |
Project |
Practical exam |
Competences |
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Seminar work |
Recommended literature
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Bible podle Vydání Kralického.
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Bohatcová, Mirjam. Česká kniha v proměnách staletí. 1. vyd. Praha : Panorama, 1990. ISBN 80-7038-131-0.
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Bowlt, John E.; Hernad, Béatrice. Aus vollem Halse : Russische Buchillustration und Typographie 1900-1930. Aus den Sammlungen der Bayerischen Staatsbibliothek München. 1. Dezember 1993 - 29. Januar 1994. München : Prestel, 1993. ISBN 3-7913-1289-8.
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Čapek, Josef. Umění přírodních národů. Praha : Československý spisovatel, 1949.
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Hájek, L. Figurální malba východní Asie.
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Heller, Steven,; Wiedemann, Julius. 100 illustrators. Praha : Slovart, 2013. ISBN 978-80-7391-808-8.
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Kneidl, P. Z historie evropské knihy.
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Krejča, Aleš. Grafické techniky. 2. vyd. Praha : Aventinum, 1994. ISBN 80-7151-636-8.
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Kritter, Ulrich von. Slawische Buchillustration im 20. Jahrhundert : Rußland, Polen, Tschechien, Slowakei. Köln : Bölau, 1998. ISBN 3-412-12497-4.
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Meggs, Philip B. A history of graphic design. New York : John Wiley & Sons, 1998. ISBN 0-471-29198-6.
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Pijoan, José. Dějiny umění. 1. Praha, 1998.
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Reynek, Bohuslav; Quinn, Justin,; Putna, Martin C.,; Šerých, Jiří. The well at morning : selected poems and graphic artworks, 1925-1971. First English edition. 2017. ISBN 978-80-246-3425-8.
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Slánský, B. Technika malby. Paseka, 2005.
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Stehlíková, Blanka. Cesty české ilustrace v knize pro děti a mládež. 1. vyd. Praha : Albatros, 1984.
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Šmejkal, František. František Muzika. Praha : Odeon, 1966.
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Štech, V. V. Rembrandt Kresby a Grafika.
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Wiedemann, Julius. Illustrations Now! : 96 illustrators from 13 countries. Hong Kong : Taschen, 2008. ISBN 978-3-8365-0509-3.
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Zahálka, F. Přehled knihtisku.
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