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Lecturer(s)
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Merta Vladimír, Doc. akademický malíř
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Course content
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- setting themes for final TP (term project) - orientation and possibilities - studying the problematic; continuous lectures given by the teacher - continuous development, correction and consultation of partial atelier works - continuous corrections, consultation and development of the term project (TP) - studio work (light, sound); in-the-field work (using film cameras, synchronic and post synchronic sound) - animated cartoon (2D and 3D graphic editors), document, experimental movie, advertisement, TV graphics - discussion over sketches, script, goal of the technical unit; conception - implementation of models and designs through photography and sketches; semi-finished videotape as a preparation for the project implementation - guest lecturer - seminar with a professional in the field of science and technology, film or multimedia artists - field trip, exhibition visit, discussion - submitting the term project on-time and in a quality set by the teacher - presentation
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Learning activities and teaching methods
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Collaborative instruction, Project-based instruction, Instruction based on dialogue, Multimedia supported teaching, Students' portfolio, One-to-One tutorial, Skills demonstration, Task-based study method, Individual study, Seminar
- Individual project (40)
- 100 hours per semester
- Preparation for an examination (30-60)
- 65 hours per semester
- Contact hours
- 208 hours per semester
- Graduate study programme term essay (40-50)
- 50 hours per semester
- Presentation preparation (report) (1-10)
- 20 hours per semester
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| prerequisite |
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| Knowledge |
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| The student is supposed to succeed in talent-based admission exam into the postgraduate study at the Art school. Basic knowledge of the following software operations: ADOBE, Photoshop, ADOBE Premiera Graphic skills, orientation in contemporary art. Competence in using digital camera, digital video camera through camera HDV format is required from the student. |
| learning outcomes |
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| Students will dispose of basic competencies needed for creative elaboration of video-installation, video-performance, and installation in the nature setting. They can produce a short movie; write a short script for a creative use of a film talk with artistically elaborated and meaningful content. They will be able to implement easier projects with the use of digital photography. Students will be able to provide an analysis of the given task, design more variants for a solution and consequently apply the most suitable one. |
| teaching methods |
|---|
| Seminar |
| Multimedia supported teaching |
| Task-based study method |
| Skills demonstration |
| Project-based instruction |
| Collaborative instruction |
| Individual study |
| Students' portfolio |
| One-to-One tutorial |
| Discussion |
| assessment methods |
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| Practical exam |
| Skills demonstration during practicum |
| Portfolio |
| Seminar work |
| Individual presentation at a seminar |
| Continuous assessment |
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Recommended literature
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Land and environmental art. London : Phaidon, 1998. ISBN 0-7148-4519-1.
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The Movie Book. ISBN 0-7148-4261-3.
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Umělá inteligence.
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Abts, Tomma. Vitamin P : new perspectives in painting. 1st pub. London : Phaidon, 2002. ISBN 0-7148-4446-2.
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Baran L. Úvod do filmového obrazu. Praha, 1987.
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Beránek, Petr. Digitální video v praxi : velká kniha. 1. vyd. Brno : Unis Publishing, 2001. ISBN 80-86097-63-3.
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Beránek, Petr. Digitální video v praxi. 2., rozš. vyd. Brno : Mobil Media, 2003. ISBN 80-86593-34-7.
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Buscombe, Edward. Cinema today. London : Phaidon, 2003. ISBN 0-7148-4081-5.
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Campany, David. Art and photography. London : Phaidon, 2003. ISBN 0-7148-4286-9.
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Fernie, E. Art History and its Methods: A Critical Anthology. ISBN 0-7148-2991-9.
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Field, Syd. Jak napsat dobrý scénář : základy scénáristiky. Praha : Rybka Publishers, 2007. ISBN 978-80-87067-65-9.
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Frascina, Francis; Harris, Jonathan. Art in modern culture : an anthology of critical texts. London : Phaidon, 1992. ISBN 0-7148-2840-8.
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Godfrey, T. Conceptual Art. 1998. ISBN 0714833886.
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Christov-Bakargiev, Carolyn. Arte povera. London : Phaidon, 1999. ISBN 0-7148-4556-6.
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Jeffrey Shaw and Peter Weibel. Future Cinema,The Cinematic Imaginary After Film. ISBN 0-262-69286-4.
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Kuna. Zvuk a hudba ve filmu.
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Mařík, Vladimír a kol. Umělá inteligence (2). Academia, Praha, 1997.
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Mařík, Vladimír a kol. Umělá inteligence (3). Academia, Praha, 2001.
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Mařík, Vladimír. Umělá inteligence (1). Academia, Praha, 1993. ISBN 80-200-0496-3.
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Mašek, Jan. Videotechnika ve výuce : Určeno stud. 3. roč. UVVP a bakalářského studia. Díl 1. 1. vyd. Plzeň : Západočeská univerzita, 1993. ISBN 80-7043-067-2.
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Mašek, Jan. Základy tvorby audiovizuálního pořadu a fotografie. Plzeň : Západočeská univerzita, 2000. ISBN 80-7082-608-8.
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Meyer, James Sampson. Minimalism. London : Phaidon, 2000. ISBN 0-7148-3460-2.
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Negrino, Tom; Smith, Dori. JavaScript pro World Wide Web : praktická vizuální příručka. Brno : SoftPress, 2001. ISBN 80-86497-09-7.
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Pražan E. Točíme videoprogramy. Kroměříž, Český svaz pro film a video, 1995.
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Reckitt, Helena. Art and feminism. London : Phaidon, 2001. ISBN 0-7148-3529-3.
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Schellmann, Bernhard. Média : základní pojmy, návrhy a výroba. Praha : Sobotáles, 2004. ISBN 80-86706-06-0.
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Valušiak, Josef. Základy střihové skladby. V Praze : FAMU, 2005. ISBN 80-7331-039-2.
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Warr, Tracey. The artist`s body. London : Phaidon, 2000. ISBN 0-7148-3502-1.
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