Lecturer(s)
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Merta Vladimír, Doc. akademický malíř
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Course content
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- setting themes for final TP (term project) - orientation and possibilities - studying the problematic; continuous lectures given by the teacher - continuous development, correction and consultation of partial atelier works - continuous corrections, consultation and development of the term project (TP) - object - the question of setting - setting as a part of architectonic solution - setting-based projects in public space and architecture - video-performance - video-installation - photographic project - leading the student to designing their own topic; fortifying their decision-making skills - collaboration within a team - a stay in nature; field trip (craft oriented work experience) - leading the students to the readiness of judgment, criticism, as well as critical self-evaluation of their own work - conceiving the form chosen as the elaborated unit from the mechanical, technical and content point of view - technically well implemented elaboration with the ambition of meaningful and imaginative project solution, such as interactive, mechanical or a computer system in the frame of projects - portfolio Overview of a topic procedure during the completion of a partial part of the project: - Authorizing DVD program in the After Effect space - lecture, demonstrating the possibility of use - lecture on picture composition and colour in digital as well as film implementation - setting a topic, collective seminar, problem analysis - a guest lecture on a given topic - consultation of sketches, drawings or digital implementations of the aim - discussion over models, semi-finished video presentations or short films - compulsory seminars - cooperation with professionals from the fields of science and technology - visiting running exhibitions - seminar work on a given theme - consulting the choice of a media to finish the realization - project realization, work installation - exhibition - public presentation, defense, submission of the seminar work; individual opinion and reflection on the work done; thematic lectures in written and digital mode based on a personal view and insight
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Learning activities and teaching methods
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Collaborative instruction, Project-based instruction, Instruction based on dialogue, Multimedia supported teaching, Students' portfolio, One-to-One tutorial, Skills demonstration, Task-based study method, Individual study, Seminar
- Contact hours
- 208 hours per semester
- Graduate study programme term essay (40-50)
- 50 hours per semester
- Presentation preparation (report) (1-10)
- 20 hours per semester
- Preparation for an examination (30-60)
- 65 hours per semester
- Individual project (40)
- 100 hours per semester
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prerequisite |
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Knowledge |
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Basic knowledge of the following software operations: ADOBE, Photoshop, ADOBE Premiera; completion of 3D MAYA course Artistic skills, software applications knowledge, orientation in contemporary art. Competence in using digital camera, digital video camera through camera HDV format is required from the student. Recommended: - completing the "Creative writing" course or its choice in winter term - completing the "Documentary film 1" and "Documentary film 2" courses - choice of "Photographic projects" course and a course dealing with photograph as such (theoretically and practically) - students should be active in trying to express themselves through art and should feel the need to further educate themselves - timely choice of consequent courses which will make it faster to implement complex art projects |
learning outcomes |
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Students will dispose of the competence to use media in a non-traditional way of artistic representation - setting as a part or a final aspect of architectonic designs. They will further dispose of practical experience in setting-based projects realization, in an open space and architecture. They will be able to apply their creative potential and design valuable implementations. Student will be able to analyze practical applications, lead a discussion over the task analysis, compare the demands on technical possibilities and possible ways of implementation craft-wise and technique-wise and decide for the most suitable way of implementation. |
teaching methods |
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Seminar |
Multimedia supported teaching |
Task-based study method |
Skills demonstration |
Project-based instruction |
Collaborative instruction |
Individual study |
Students' portfolio |
One-to-One tutorial |
Discussion |
assessment methods |
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Practical exam |
Skills demonstration during practicum |
Portfolio |
Seminar work |
Individual presentation at a seminar |
Continuous assessment |
Recommended literature
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on-line katalogy knihoven.
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Buscombe, Edward. Cinema today. London : Phaidon, 2003. ISBN 0-7148-4081-5.
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Campany, David. Art and photography. London : Phaidon, 2003. ISBN 0-7148-4286-9.
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De Micheli, M. Avantgardy XX.století.
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Frascina, Francis; Harris, Jonathan. Art in modern culture : an anthology of critical texts. London : Phaidon, 1992. ISBN 0-7148-2840-8.
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Gilbert, Katharine Everett; Kuhn, Helmut. Dějiny estetiky. 1. vyd. Praha : Státní nakladatelství krásné literatury a umění, 1965.
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Gombrich, Ernst Hans. Příběh umění. Praha : Odeon, 1992. ISBN 80-207-0416-7.
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Christov-Bakargiev, Carolyn. Arte povera. London : Phaidon, 1999. ISBN 0-7148-4556-6.
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Osborne, Peter. Conceptual art. London : Phaidon, 2002. ISBN 0-7148-3930-2.
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Pelzer, Birgit; Francis, Mark; Colomina, Beatriz. Dan Graham. London : Phaidon, 2001. ISBN 0-7148-3964-7.
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Pijoan, José. Dějiny umění. 1. Praha : Odeon, 1987.
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Pijoan, José. Dějiny umění. 1. Praha, 1998.
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Pijoan, José. Dějiny umění. 10. Praha : Balios, 2000. ISBN 80-7176-764-6.
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Pijoan, José. Dějiny umění. 2. Praha : Balios, 1998. ISBN 80-7176-764-6.
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Pijoan, José. Dějiny umění. 3. Praha : Balios, 1998. ISBN 80-7176-764-6.
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Pijoan, José. Dějiny umění. 5. Praha : Balios, 1999. ISBN 80-7176-764-6.
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Pijoan, José. Dějiny umění. 6. Praha : Balios, 1999. ISBN 80-7176-764-6.
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Pijoan, José. Dějiny umění. 7. Praha : Balios, 1999. ISBN 80-7176-764-6.
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Pijoan, José. Dějiny umění. 8. Praha : Balios, 2000. ISBN 80-7176-764-6.
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Pijoan, José. Dějiny umění. 9. Praha : Balios, 2000. ISBN 80-7176-764-6.
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Reckitt, Helena. Art and feminism. London : Phaidon, 2001. ISBN 0-7148-3529-3.
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Smith, Edward. Artoday [i. e. Art today] = Současné světové umění. Praha : Slovart, 1996. ISBN 80-85871-97-1.
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Verwoert, Jan; Halley, Peter; Matsui, Midori. Wolfgang Tillmans. London : Phaidon, 2002. ISBN 0-7148-4192-7.
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Warr, Tracey. The artist`s body. London : Phaidon, 2000. ISBN 0-7148-3502-1.
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Watson, Scott; Thater, Diana; Clover, Carol J. Stan Douglas. London : Phaidon, 1998. ISBN 0-7148-3796-2.
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