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Lecturer(s)
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Course content
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Students of master's program can enroll in this course as in so-called second studio. Weeks 1 - 13 1. Introduction to basic concepts and principles of engineering drawings and the emergence of an authentic work of art. Drawing and its possibilities in the context of all artistic disciplines. 2. Technological fundamentals. What I draw on, what I draw with. Charcoal drawing exercises. 3. Distinction between dry and wet materials for drawing. Fixation and treatment of drawings. Exercises in shape and light contrasts. 4. Basics of drawing images. Rule of balance. Grouping into format. Observing the whole. Exercises on spatial and compositional variations of studio still lifes. 5. Point and line. Abstract studio exercises on the theme of still life or part of landscape. 6. Figurative and non-figurative. Artist's distinctive graphic style. 7. Surface, shape and space in figurative and non-figurative pictures. 8. Light and color in figurative and non-figurative pictures. 9. Harmony, order and compositional variation towards originality of expression. 10. Authenticity of drawings and the ability of visual expressive gesture or impressive variations. Color extreme. Destruction of form and entropy component in drawing and art. 11. Principle of figuration. Magnification, exaggeration and stylization. 12. Thematic drawing composition as a manifestation of a structured creative thinking. 13. Inspiration. Free work or cycle. Imagination. Free cycle. Extensions and variations. Importance of author's attitudes and responses to authority.
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Learning activities and teaching methods
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Project-based instruction, Instruction based on dialogue, Students' portfolio, One-to-One tutorial, Skills demonstration, Individual study, Seminar, Practicum
- Individual project (40)
- 60 hours per semester
- Graduate study programme term essay (40-50)
- 40 hours per semester
- Preparation for an examination (30-60)
- 45 hours per semester
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Contact hours
- 130 hours per semester
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| prerequisite |
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| Knowledge |
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| to equip basic drawing procedures and their options for own expression reproduce the names and definitions of the common building elements of the art language in drawing and their combinations to bring together basic knowledge of supporting arts disciplines and their relation to drawing and its techniques compare the results achieved on the given field of creation (both own and foreign), to describe own comparison to apply knowledge about basic illustratorial and semantic morphology when designing the assigned task |
| Skills |
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| to make drawing sketch of own compositional proposals on a given topic, to work with several possible alternations to make a research for a given topic, to explain basic problematics of given topic and present it to the professional society on the basis of criteria, select appropriate proposals and work with their alterations, to realize the final picture (series of images) install your work into a simple exposure based on character of expositure space |
| Competences |
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| N/A |
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| learning outcomes |
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| Knowledge |
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| about project planning individually, the project is divided into several successive steps and suggests their alteration, individual steps needed for realization of large-format and specific genres of drawing about common drawing techniques for various backgrounds and their use in the creative process including some non-traditional possibilities of techniques and materials about ways of adjusting and exposing a work about historical and contemporary style canons of drawing and its transitions into other media, the position of drawing in the context of art in history and today focusing on specific forms of drawing about the historical and contemporary styling canons of painting and its translations into other media, status of painting in context of art in history and today with accent on large format and wall paintings |
| Skills |
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| plans and realizes a project of simple artwork with drawing expressive means, own work divides into several steps and designs their alterations based on a character of used materials take account of the techniques and technology used based on their possibilities and own imagination, expands his vocabulary of learned techniques emphasize the principles of pictorial expression in terms of illustrating and symbolizing imagery, work with space and the use of basic compositional principles mostly on large formats and its effects, verify the possibilities of expressing the artwork by color and inter-colored relationships, they use basic drawing techniques on different materials (canvas, paper, diferent types of a wall) reflects his work in historical and contemporary contexts, is aware of options of those contexts for own creative work and is able of using them reflects its work in the context of professional, technical and technological processes to find suitable solutions with erudition, presents his work to the professional community and general public he is able to accept and assert in a way the evaluation and critical response, is able of own basic reflection of own work is able of exposing own work approprietly of its character and purpose |
| Competences |
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| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Lecture with visual aids |
| Field trip |
| Students' portfolio |
| One-to-One tutorial |
| Skills |
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| Skills demonstration |
| Students' portfolio |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Seminar work |
| Continuous assessment |
| Skills |
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| Skills demonstration during practicum |
| Project |
| Practical exam |
| Competences |
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| Seminar work |
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Recommended literature
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Bammes, Gottfried. Die Gestalt des Menschen : Hand- und Lehrbuch der Anatomie für Künstler. Dresden : Veb Verlag der Kunst, 1964.
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Eissen, Koos; Steur, Roselien. Sketching : drawing techniques for product designers. Amsterdam : Book Industry Services (BIS), 2007. ISBN 978-906-369-171-4.
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Fučíková, Eliška. Rudolfínská kresba : [Obr. monografie]. 1. vyd. Praha : Odeon, 1986.
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Kleiner, František. Kresba : Metodické poznámky ke studiu kresby. Praha : Pedagogická fakulta Univerzity Karlovy, 1997.
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Kos, Jaroslav. Anatomie člověka pro výtvarníky. 1. vyd. Praha : Aventinum, 1996. ISBN 80-85277-98-0.
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Petříček, Radek. Výtvarná anatomie. 2017. ISBN 978-80-270-0099-9.
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Tetiva, Vlastimil. Česká kresba 20. století ze Sbírek Alšovy jihočeské galerie : Katalog výstavy, Hluboká nad Vltavou, květen-září 1984. Hluboká nad Vltavou : Alšova jihočeská galerie, 1984.
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Volavka, Vojtěch. Česká kresba XIX. století. 1. vyd. Praha : Družstevní práce, 1949.
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Zrzavý, Josef. Anatomie pro výtvarníky. Praha : Avicenum, 1977.
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