Lecturer(s)
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Tolar Benedikt, Doc. MgA.
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Course content
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1. Introduction of the topic, introduction to the course of the semester. 2. Seminar project on the topic of spatial creation - collective discussion. 3. Main topic - currently based on current events in society. 4. Making the concept of the course of work - from the proposals to the actual realization in the material. 5. - 10. Own realization of the project. 11. - 12. Continuous corrections, consultations and fulfillment of the semester project 13. Presentation.
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Learning activities and teaching methods
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Collaborative instruction, Project-based instruction, Instruction based on dialogue, Students' portfolio, One-to-One tutorial, Skills demonstration, Task-based study method, Individual study, Lecture with visual aids, Seminar
- Contact hours
- 78 hours per semester
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Undergraduate study programme term essay (20-40)
- 40 hours per semester
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prerequisite |
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Knowledge |
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to equip expressions in matter and space to reproduce the names and definitions of the basic building elements of the visual language in sculpture and spatial creation to bring together basic knowledge of supporting arts disciplines compare the results achieved on the given field of creation (both own and foreign) to apply knowledge about basic illustratorial morphology when designing the assigned task |
Skills |
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make drawing and model sketch sculptural, land-art, or installation production on a given topic to make a search for a given topic on the basis of criteria, select appropriate proposals to realize the final work/works install works into a simple exposure |
Competences |
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N/A |
N/A |
N/A |
learning outcomes |
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Knowledge |
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about project planning (sketches, models, sculpture and installation procedures) about the techniques of spatial and sculptural creation on how to adjust and expose the work, about the historical and contemporary styling canons of sculpture and its translations into other media |
Skills |
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plans and implements a project of simple artwork with sculptural expression means, take account of the techniques and technology used, uses basic compositional principles, in the variants, they design and verify the finishing of the sculptural work surfaces, or fixation of the installation, uses basic sculptural, modeling and installation procedures in the creation, reflects its work in the context of professional, technical and technological processes, with erudition, presents his work to the professional community he is able to accept and assert in a way the evaluation and critical response |
Competences |
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N/A |
N/A |
teaching methods |
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Knowledge |
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One-to-One tutorial |
Students' portfolio |
Seminar classes |
Skills |
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Students' portfolio |
Skills demonstration |
Competences |
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Discussion |
assessment methods |
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Knowledge |
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Seminar work |
Continuous assessment |
Skills |
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Practical exam |
Project |
Skills demonstration during practicum |
Competences |
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Seminar work |
Recommended literature
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Aubrecht, Kamil. Stručná charakteristika základních sochařských technik. Plzeň : Západočeská univerzita. Fakulta pedagogická, 2004.
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Collins, Judith. Sculpture today. London : Phaidon, 2007. ISBN 978-0-7148-4314-8.
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Gilles A. Tiberghien. Land art. Paris, 1993. ISBN 2-908393-18-2.
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Chalupecký, Jindřich. Obhajoba umění 1934-1948 : výbor ze statí. 1. vyd. Praha : Československý spisovatel, 1991. ISBN 80-202-0322-2.
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Lang, Josef. Úvod do sochařství : technika práce s hlínou, krok za krokem na 150 vyobrazeních (obrazech a fotografiích). Vyd. 1. Praha : Ikar, 1997. ISBN 80-7202-089-7.
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Medková, Jiřina. Řeč věcí. 1. vyd. Praha : Horizont, 1990. ISBN 80-7012-026-6.
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Moore, Henry. Plastiky a myšlenky kolem nich. 1. vyd. Praha : Odeon, 1985.
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Morganová, Pavlína. Czech action art : happenings, actions, events, land art, body art and performance art behind the iron curtain. 1st English ed. Prague : Karolinum, 2014. ISBN 978-80-246-2317-7.
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Neumann, Jaromír. Matyáš Braun - Kuks. 1. vyd. Praha : Státní nakladatelství krásné literatury, hudby a umění, 1959.
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Slavická, Milena. Umění instalace - Výtvarné umění. Občanské sdružení pro podporu Výtvarného umění v Nakladatelství Vesmír, spol. s.r.o, 1994.
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Slouka, Jiří. Kámen : od horniny k soše. 1. vyd. Praha : Grada, 2007. ISBN 978-80-247-1258-1.
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Šedý V. Sochařské řemeslo, základ sochařského umění.
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Teplý, Bohumil. O sochařské reprodukci : Učebnice pro stud. zaměření Kamenosochařství na stř. odb. školách. 4. vyd. Praha : SPN, 1984.
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Volavka V. O soše, 1, SNKLHU. 1959.
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Volavka Vojtěch. Jak vzniká socha.
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Volavková-Skořepová, Z. Myšlenky moderních sochařů.. Praha : Obelisk,, 1971.
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Zhoř, Igor. Hledání tvaru : Čtení o moderním sochařství s historickým prologem. Praha : Mladá fronta, 1967.
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