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Course info
KFI / THHN
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Course description
Department/Unit / Abbreviation
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KFI
/
THHN
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Academic Year
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2023/2024
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Academic Year
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2023/2024
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Title
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Theoretical Approaches to Music
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Form of course completion
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Exam
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Form of course completion
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Exam
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Accredited / Credits
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Yes,
3
Cred.
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Type of completion
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Combined
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Type of completion
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Combined
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Time requirements
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Lecture
1
[Hours/Week]
Seminar
1
[Hours/Week]
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Course credit prior to examination
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No
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Course credit prior to examination
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No
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Included in study average
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YES
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Language of instruction
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Czech
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Occ/max
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|
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Summer semester
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0 / -
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0 / -
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0 / -
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Included in study average
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YES
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Winter semester
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0 / -
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0 / -
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0 / -
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Repeated registration
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NO
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Repeated registration
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NO
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Timetable
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Yes
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Semester taught
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Winter + Summer
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Semester taught
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Winter + Summer
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Minimum (B + C) students
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5
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Optional course |
Yes
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Optional course
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Yes
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Language of instruction
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Czech
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Internship duration
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0
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No. of hours of on-premise lessons |
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Evaluation scale |
1|2|3|4 |
Periodicity |
každý rok
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Periodicita upřesnění |
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Fundamental theoretical course |
No
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Fundamental course |
Yes
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Fundamental theoretical course |
No
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Evaluation scale |
1|2|3|4 |
Substituted course
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KFI/THEN
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Preclusive courses
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N/A
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Prerequisite courses
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N/A
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Informally recommended courses
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N/A
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Courses depending on this Course
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N/A
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Histogram of students' grades over the years:
Graphic PNG
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XLS
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Course objectives:
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The aim of the course will be to develop and deepen students' knowledge of selected areas of artificial music. The course will bring information about selected specific approaches to the musical work with regard to the overlap of the musical dimension into other areas of human creative and intellectual activity. The course introduces modern compositional styles. The main differences between European artificial music and the music of some non-European nations will be briefly explained.
The course is scheduled once per two years.
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Requirements on student
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Exam: Knowledge of lectured topics and basic literature.
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Content
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Baroque affect theory. The spiritual dimension of the music of L. van Beethoven and F. Mendelssohn-Bartholdy. 19th Century Program Music: Liszt and the Origin of a Symphonic Poem, Smetana's My Homeland. Wagner and Schopenhauer. Death in the works of G. Mahler and R. Strauss. Neofolklorism, expressiveness and the power of the story in Janáček's work. Expressiveness of D. Shostakovich (Shostakovich and besieged Leningrad) and Schönberg. Philip Glass and minimalism and the principle of satyagraha. Modern compositional styles, sonic music. Some non-European music cultures and their specifics.
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Activities
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Fields of study
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Studenti mají k dispozici oporu ve formě skupiny/týmu v rámci systému Microsoft Teams.
Studentům jsou dostupné všechny aktuální informace ke kurzu (termíny, materiály či odkazy na ně) na stránce předmětu v Courseware.
Studenti mají k dispozici elektronickou učebnici v rámci Kompendia KFI - https://www.esf.kfi.zcu.cz/kompendium-hs_mgr/?course=kfi_thhn
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Guarantors and lecturers
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Literature
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Basic:
Smolka, Jaroslav. Dějiny hudby. Vyd. 1. Brno : Togga, 2001. ISBN 80-902912-0-1.
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Basic:
SCHNIERER, M. Dějiny hudby. Brno : JAMU, 2012. ISBN 978-80-7460-022-7.
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Basic:
Vičar, Jan; Dykast, Roman. Hudební estetika. Praha : Akademie múzických umění, 1998. ISBN 80-85883-30-9.
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Basic:
Očadlík, Mirko. Svět orchestru : Průvodce evropskou orchestrální tvorbou. : Hudba předklasická, klasická, romantická a impresionistická. Praha : Panton, 1965.
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Basic:
Schnierer, Miloš. Svět orchestru 20. století. [Díl] I.. 1. vyd. Brno : M a M, 1995.
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Basic:
Schnierer, Miloš. Svět orchestru 20. století. [Díl] II.. 1. vyd. Praha : Academia, 1998. ISBN 80-200-0668-0.
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Recommended:
GEORGIEVA, S. Barokní afektová teorie.. Praha: Akademie múzických umění, 2013. ISBN 978-80-7331-255-8.
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Recommended:
Holzknecht, Václav. Bedřich Smetana : život a dílo. Praha : Panton, 1979.
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Recommended:
Rolland, Romain. Beethoven. II, Velká tvůrčí období - Zpěv vzkříšení, Slavnostní mše a poslední sonáty. 1. vyd. Praha : SNKLHU, 1958.
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Recommended:
Rolland, R. Beethoven III. Praha : SNKLHU, 1959.
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Recommended:
Easwaran, E. Gándhí člověk. VOLVOX GLOBATOR, 1999.
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Recommended:
Blaukopf, Kurt. Gustav Mahler : současník budoucnosti. 1. vyd. Jinočany : H & H, 1998. ISBN 80-86022-31-5.
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Recommended:
Petrželka, I. Leoš Firkušný o Janáčkovi a české hudbě. Brno : Ryšavý, 2007.
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Recommended:
Šeda J. Leoš Janáček - monografie. Praha, 1961.
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Recommended:
Hronek, M. Ludwig van Beethoven. Poselství génia. Vývoj Beethovenovy osobnosti a tvůrčí činnosti se zřetelem ke křesťanskému základ jeho života. Olomouc: Refugium Velehrad-Roma, s.r.o., 2014.
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Recommended:
Nietzsche, Friedrich Wilhelm. Nečasové úvahy. Praha : Mladá fronta, 1992. ISBN 80-204-0287-1.
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Recommended:
Blom, Eric (ed.). New Grove´s Dictionary of Music and Musicians. London.
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Recommended:
Šostakovič, Dmitrij Dmitrijevič. O době a o sobě : 1926-1975. 1. vyd. Praha : Supraphon, 1987.
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Recommended:
Wagner, R. O hudbě a umění. Praha, 1959.
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Recommended:
Janáček, Leoš. O lidové písni a lidové hudbě : dokumenty a studie. Praha : Státní nakladatelství krásné literatury, hudby a umění, 1955.
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Recommended:
Hostomská, Anna. Průvodce operní tvorbou. 8., dopl. vyd., 1. vyd. v nakl. Svoboda-Libertas. Praha : Svoboda-Libertas, 1993. ISBN 80-205-0344-7.
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Recommended:
Malm, W. P. Traditional Japanese Music and Musical Instruments. Kodansha International, 2000.
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Recommended:
Magee, B. Wagner a filosofie. Praha : BB/art, 2004.
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On-line library catalogues
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Time requirements
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All forms of study
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Activities
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Time requirements for activity [h]
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Contact hours
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26
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Preparation for an examination (30-60)
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52
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Total
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78
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Prerequisites
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Knowledge - students are expected to possess the following knowledge before the course commences to finish it successfully: |
to describe the fundamental events of world and especially European history |
to describe the basic stages of the development of European art |
to explain the use of basic concepts from general art theory |
Skills - students are expected to possess the following skills before the course commences to finish it successfully: |
to analyze and interpret professional text in Czech and English |
to process knowledge from a professional text into a comprehensive presentation |
Competences - students are expected to possess the following competences before the course commences to finish it successfully: |
N/A |
N/A |
N/A |
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Learning outcomes
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Knowledge - knowledge resulting from the course: |
to present the development and characteristics of music art in the context of the development of European philosophy, aesthetics and fine arts |
to distinguish the basic general features of individual artistic styles with emphasis on the impairment of specific musical means of expression dominant in the style |
to characterize individual stages of music development in relation to wider cultural and social development |
Skills - skills resulting from the course: |
to analyze and evaluate shifts in the character of music due to developmental changes |
Competences - competences resulting from the course: |
N/A |
N/A |
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Assessment methods
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Knowledge - knowledge achieved by taking this course are verified by the following means: |
Combined exam |
Skills - skills achieved by taking this course are verified by the following means: |
Combined exam |
Competences - competence achieved by taking this course are verified by the following means: |
Combined exam |
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Teaching methods
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Knowledge - the following training methods are used to achieve the required knowledge: |
Lecture |
Seminar |
Self-study of literature |
Skills - the following training methods are used to achieve the required skills: |
Lecture with visual aids |
Seminar |
Competences - the following training methods are used to achieve the required competences: |
Lecture with visual aids |
Seminar |
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