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Course info
KVU / BMAF
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Course description
Department/Unit / Abbreviation
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KVU
/
BMAF
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Academic Year
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2023/2024
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Academic Year
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2023/2024
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Title
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Figure Painting
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Form of course completion
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Pre-Exam Credit
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Form of course completion
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Pre-Exam Credit
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Accredited / Credits
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Yes,
4
Cred.
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Type of completion
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-
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Type of completion
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-
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Time requirements
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Seminar
3
[Hours/Week]
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Course credit prior to examination
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No
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Course credit prior to examination
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No
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Included in study average
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NO
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Language of instruction
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Czech, English
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Occ/max
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Summer semester
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0 / -
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12 / -
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3 / -
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Included in study average
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NO
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Winter semester
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0 / -
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0 / -
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0 / -
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Repeated registration
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YES
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Repeated registration
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YES
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Timetable
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Yes
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Semester taught
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Winter + Summer
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Semester taught
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Winter + Summer
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Minimum (B + C) students
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10
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Optional course |
Yes
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Optional course
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Yes
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Language of instruction
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Czech, English
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Internship duration
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0
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No. of hours of on-premise lessons |
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Evaluation scale |
S|N |
Periodicity |
každý rok
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Periodicita upřesnění |
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Fundamental theoretical course |
No
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Fundamental course |
No
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Fundamental theoretical course |
No
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Evaluation scale |
S|N |
Substituted course
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None
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Preclusive courses
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N/A
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Prerequisite courses
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N/A
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Informally recommended courses
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N/A
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Courses depending on this Course
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N/A
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Histogram of students' grades over the years:
Graphic PNG
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XLS
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Course objectives:
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The aim of the course is to teach a student to depict, within the scope of basic process of painting, volume and modelling of light and shadow through monochromatic colour scheme, to be able to use and follow in the skills and knowledge from the lessons of figure drawing. The aim is also to teach a student the ability to recognize the real colourfulness and an essential skill - be able to mix the right colour tone. Step by step, the student comes to free brushwork and free use of colour.
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Requirements on student
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Credit requirements: - 80 per cent active participation in seminars - Continuos assigning, completing, and handling in all partial seminar works during the whole semester, in volume and quality set by the teacher.
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Content
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1.-13.
- Theoretical introduction to the subject of painting.
- Mixing colours, realistic colour scheme.
- Explaining perspective (angle scheme).
- Explaining proportions.
- Monochrome figure painting.
- Colour stylization, hyperbole.
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Activities
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Fields of study
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Guarantors and lecturers
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Literature
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Basic:
Zrzavý, Josef. Anatomie pro výtvarníky. Praha : Avicenum, 1977.
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Recommended:
Čapek, Josef. Co má člověk z umění a jiné úvahy o umění z let 1911-1937. V Praze : Výtvarný odbor Umělecké besedy, 1946.
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Recommended:
Zhoř, Igor. Člověk a výtvarné umění. Praha : Orbis, 1963.
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Recommended:
Zykmundová, Anna. Díváme se na obrazy. Praha : Nakladatelství československých výtvarných umělců, 1956.
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Recommended:
Malířské povídky. Praha : Nakl. Svoboda, 1985.
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Recommended:
Copplestone Trewin. Moderní umění. SNKLU, 1965.
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Recommended:
Lamač, Miroslav. Myšlenky moderních malířů. Praha : Nakladatelství československých výtvarných umělců, 1968.
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Recommended:
Ochrymčuk, Leonid. Návštěva mezi obrazy : vyprávění o obrazech a umělcích a řada hravých etud pro obě oči. Praha : Státní pedagogické nakladatelství, 1973.
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Recommended:
Kramář, Vincenc; Hobzek, Josef; Brunclík, Josef. O obrazech a galeriích. Praha : Odeon, 1983.
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Recommended:
on-line katalogy knihoven.
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Recommended:
Padrta, Jiří; Lamač, Miroslav; Motlová, Milada. Osma a Skupina výtvarných umělců 1907 - 1917 : Teorie, kritika, polemika. Praha : Odeon, 1992. ISBN 80-207-0404-3.
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Recommended:
Kupka,F. Tvoření v umění výtvarném.
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Recommended:
Mrkvička, O. Umění a kýč. MF, 1963.
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Recommended:
Míčko, Miroslav. Umění nebo život : Rozhovory a vyznání. Praha : Národní práce, 1944.
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Recommended:
Lynton, Herbert. Umění 19. a 20. století. Praha : Artia, 1981.
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On-line library catalogues
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Time requirements
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All forms of study
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Activities
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Time requirements for activity [h]
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Undergraduate study programme term essay (20-40)
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65
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Contact hours
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39
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Total
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104
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Prerequisites
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Knowledge - students are expected to possess the following knowledge before the course commences to finish it successfully: |
to recognize the basic drawing and painting elements and their funcionality in the creative process (point, area, color, modelation, lights and shadows)
to show knowledge of basig theoretical patterns of imaging spacial objects into surface (linear perspective)
to recognize basic functions of imaging human body in arts and dependance of chosen techniques on those functions with reference to several renowed authors
to be aware of influence of the human body and emotions in non-verbal comunication in interpersonal contact on basic level (mimics, gestures, posing) |
Skills - students are expected to possess the following skills before the course commences to finish it successfully: |
to work with basic drawing and painting mediums and techniques
to work independently and flexibly react to evaluating commentary of the teacher
to apply the knowledge to image spacial objects and relations between them and verify their elaboration into own work (measurement and comparison of proportions, composition)
to see the basic differences and specifications based on individual character of imaged person |
Competences - students are expected to possess the following competences before the course commences to finish it successfully: |
N/A |
N/A |
N/A |
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Learning outcomes
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Knowledge - knowledge resulting from the course: |
of deeper understanding of basic elements of painting compositions and their possibilities,
in choosing different painting techniques depending on the aim of creative work (atmosphere, character),
of basic anatomy and physiology of human body needed for its imaging,
of effects of color qualities of image and evaluation of those from level of absolute realism to hyperbole and symbolic meanings, |
Skills - skills resulting from the course: |
to elaborate a portrait in painting with structure of component elements and parts of a face,
to elaborate a painting of life model according to reality with high level of anatomical and physiological fidelity, from different points of view including managing perspective shortcuts and other specifics of imaging space on surface,
modeling of the matter by lights and shadows, to work with color in both realistic and hyperbolic and symbolic means,
to capture a motion of human body in painting,
to capture and work with non-verbal signs of human body in painting (expression and emotions, gestures, mimics),
to image specific individual character and features of a specific model (body and face structure, individual particularities),
to apply and further develop own specific artistic style on figural motives in painting with the starting point in academical forms aiming to free author's artistic manustript, |
Competences - competences resulting from the course: |
N/A |
N/A |
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Assessment methods
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Knowledge - knowledge achieved by taking this course are verified by the following means: |
Seminar work |
Continuous assessment |
Skills - skills achieved by taking this course are verified by the following means: |
Skills demonstration during practicum |
Seminar work |
Continuous assessment |
Individual presentation at a seminar |
Competences - competence achieved by taking this course are verified by the following means: |
Portfolio |
Individual presentation at a seminar |
Self-evaluation |
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Teaching methods
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Knowledge - the following training methods are used to achieve the required knowledge: |
One-to-One tutorial |
Self-study of literature |
Interactive lecture |
Seminar classes |
Skills - the following training methods are used to achieve the required skills: |
Seminar |
Lecture with visual aids |
Students' portfolio |
Individual study |
Competences - the following training methods are used to achieve the required competences: |
Students' portfolio |
Skills demonstration |
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